character

Shelby Foote on what comes first: character or plot

From Carter Coleman, Donald Faulkner, & William Kennedy’s interview of Shelby Foote in “The Art of Fiction No. 158” (The Paris Review: Summer 1999, No. 151):

INTERVIEWER Which comes first, character or plot?

FOOTE Character comes first. I separate the mass of novels into good and bad. A good book could be described as one about a man who, in a situation, does such and such. A bad book is about a situation in which a man does such and such. In other words, plot ought to grow out of character. You don’t have to make up a plot. You have to have a person and place him in a situation and a plot starts happening.

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Ray Bradbury on what you know & how to write

From Sam Weller’s interview of Ray Bradbury in “The Art of Fiction No. 203” (The Paris Review: Spring 2010, No. 192):

I learned this early on. Three things are in your head: First, everything you have experienced from the day of your birth until right now. Every single second, every single hour, every single day. Then, how you reacted to those events in the minute of their happening, whether they were disastrous or joyful. Those are two things you have in your mind to give you material. Then, separate from the living experiences are all the art experiences you’ve had, the things you’ve learned from other writers, artists, poets, film directors, and composers. So all of this is in your mind as a fabulous mulch and you have to bring it out. How do you do that? I did it by making lists of nouns and then asking, What does each noun mean? You can go and make up your own list right now and it would be different than mine. The night. The crickets. The train whistle. The basement. The attic. The tennis shoes. The fireworks. All these things are very personal. Then, when you get the list down, you begin to word-associate around it. You ask, Why did I put this word down? What does it mean to me? Why did I put this noun down and not some other word? Do this and you’re on your way to being a good writer. You can’t write for other people. You can’t write for the left or the right, this religion or that religion, or this belief or that belief. You have to write the way you see things. I tell people, Make a list of ten things you hate and tear them down in a short story or poem. Make a list of ten things you love and celebrate them. When I wrote Fahrenheit 451 I hated book burners and I loved libraries. So there you are. 

INTERVIEWER After you’ve made your list of nouns, where do you go from there? 

BRADBURY I begin to write little pensées about the nouns. It’s prose poetry. It’s evocative. It tries to be metaphorical. Saint-John Perse published several huge volumes of this type of poetry on beautiful paper with lovely type. His books of poetry had titles like Rains, Snows, Winds, Seamarks. I could never afford to buy his books because they must have cost twenty or thirty dollars—and this was about fifty years ago. But he influenced me because I read him in the bookstore and I started to write short, descriptive paragraphs, two hundred words each, and in them I began to examine my nouns. Then I’d bring some characters on to talk about that noun and that place, and all of a sudden I had a story going. I used to do the same thing with photographs that I’d rip out of glossy magazines. I’d take the photographs and I’d write little prose poems about them.

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Ray Bradbury on an encounter that changed his life

From Sam Weller’s interview of Ray Bradbury in “The Art of Fiction No. 203” (The Paris Review: Spring 2010, No. 192):

Circuses and carnivals were always passing through Illinois during my childhood and I was in love with their mystery. One autumn weekend in 1932, when I was twelve years old, the Dill Brothers Combined Shows came to town. One of the performers was Mr. Electrico. He sat in an electric chair. A stagehand pulled a switch and he was charged with fifty thousand volts of pure electricity. Lightning flashed in his eyes and his hair stood on end.

The next day, I had to go the funeral of one of my favorite uncles. Driving back from the graveyard with my family, I looked down the hill toward the shoreline of Lake Michigan and I saw the tents and the flags of the carnival and I said to my father, Stop the car. He said, What do you mean? And I said, I have to get out. My father was furious with me. He expected me to stay with the family to mourn, but I got out of the car anyway and I ran down the hill toward the carnival.

It didn’t occur to me at the time, but I was running away from death, wasn’t I? I was running toward life. And there was Mr. Electrico sitting on the platform out in front of the carnival and I didn’t know what to say. I was scared of making a fool of myself. I had a magic trick in my pocket, one of those little ball-and-vase tricks—a little container that had a ball in it that you make disappear and reappear—and I got that out and asked, Can you show me how to do this? It was the right thing to do. It made a contact. He knew he was talking to a young magician. He took it, showed me how to do it, gave it back to me, then he looked at my face and said, Would you like to meet those people in that tent over there? Those strange people? And I said, Yes sir, I would. So he led me over there and he hit the tent with his cane and said, Clean up your language! Clean up your language! He took me in, and the first person I met was the illustrated man. Isn’t that wonderful? The Illustrated Man! He called himself the tattooed man, but I changed his name later for my book. I also met the strong man, the fat lady, the trapeze people, the dwarf, and the skeleton. They all became characters.

Mr. Electrico was a beautiful man, see, because he knew that he had a little weird kid there who was twelve years old and wanted lots of things. We walked along the shore of Lake Michigan and he treated me like a grown-up. I talked my big philosophies and he talked his little ones. Then we went out and sat on the dunes near the lake and all of a sudden he leaned over and said, I’m glad you’re back in my life. I said, What do you mean? I don’t know you. He said, You were my best friend outside of Paris in 1918. You were wounded in the Ardennes and you died in my arms there. I’m glad you’re back in the world. You have a different face, a different name, but the soul shining out of your face is the same as my friend. Welcome back.

Now why did he say that? Explain that to me, why? Maybe he had a dead son, maybe he had no sons, maybe he was lonely, maybe he was an ironical jokester. Who knows? It could be that he saw the intensity with which I live. Every once in a while at a book signing I see young boys and girls who are so full of fire that it shines out of their face and you pay more attention to that. Maybe that’s what attracted him.

When I left the carnival that day I stood by the carousel and I watched the horses running around and around to the music of “Beautiful Ohio,” and I cried. Tears streamed down my cheeks. I knew something important had happened to me that day because of Mr. Electrico. I felt changed. He gave me importance, immortality, a mystical gift. My life was turned around completely. It makes me cold all over to think about it, but I went home and within days I started to write. I’ve never stopped.

Seventy-seven years ago, and I’ve remembered it perfectly. I went back and saw him that night. He sat in the chair with his sword, they pulled the switch, and his hair stood up. He reached out with his sword and touched everyone in the front row, boys and girls, men and women, with the electricity that sizzled from the sword. When he came to me, he touched me on the brow, and on the nose, and on the chin, and he said to me, in a whisper, “Live forever.” And I decided to.

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Kurt Vonnegut on the basic plots available to writers

From David Hayman, David Michaelis, George Plimpton, & Richard Rhodes’s interview of Kurt Vonnegut in “The Art of Fiction No. 64” (The Paris Review: Spring 1977, No. 69):

VONNEGUT The others aren’t that much fun to describe: somebody gets into trouble, and then gets out again; somebody loses something and gets it back; somebody is wronged and gets revenge; Cinderella; somebody hits the skids and just goes down, down, down; people fall in love with each other, and a lot of other people get in the way; a virtuous person is falsely accused of sin; a sinful person is believed to be virtuous; a person faces a challenge bravely, and succeeds or fails; a person lies, a person steals, a person kills, a person commits fornication.

INTERVIEWER If you will pardon my saying so, these are very old-fashioned plots.

VONNEGUT I guarantee you that no modern story scheme, even plotlessness, will give a reader genuine satisfaction, unless one of those old-fashioned plots is smuggled in somewhere. I don’t praise plots as accurate representations of life, but as ways to keep readers reading. When I used to teach creative writing, I would tell the students to make their characters want something right away—even if it’s only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time.

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James Dickey on the personalities of poets

From Franklin Ashley’s interview of James Dickey in “The Art of Poetry No. 20” (The Paris Review: Spring 1976, No. 65):

INTERVIEWER: You’ve known a great many poets personally. Do you find some common characteristic—in their madness, their vision, their discipline?

DICKEY: I would have to put the answer in the form of a paradox. Most of them are what the world would call weak men and women. They are wayward, licentious, heavy drinkers, irresponsible, unable to maintain a household properly, and subject to unpredictable vagaries of conduct. But, turning the coin to its other side, the best of them are incredibly strong people who will drive headfirst through a steel wall to get their work done. This is the type of person I admire most. I admire the type as I do, I suspect, because I am one of them.

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James Ellroy on how he writes

From Nathaniel Rich’s “Interviews: James Ellroy, The Art of Fiction No. 201” (The Paris Review: Fall 2009):

I begin by sitting in the dark. I used to sleep on the living-room couch. There was a while when that was the only place I felt safe. My couch is long because I’m tall, and it needs to be high backed, so I can curl into it. I lie there and things come to me, very slowly.

[After that] I take notes: ideas, historical perspective, characters, point of view. Very quickly, much of the narrative coheres. When I have sufficient information—the key action, the love stories, the intrigue, the conclusion—I write out a synopsis in shorthand as fast as I can, for comprehension’s sake. With the new novel, Blood’s a Rover, this took me six days. It’s then, after I’ve got the prospectus, that I write the outline.

The first part of the outline is a descriptive summary of each character. Next I describe the design of the book in some detail. I state my intent at the outset. Then I go through the entire novel, outlining every chapter. The outline of Blood’s A Rover is nearly four hundred pages long. It took me eight months to write. I write in the present tense, even if the novel isn’t written in the present tense. It reads like stage directions in a screenplay. Everything I need to know is right there in front of me. It allows me to keep the whole story in my mind. I use this method for every book.

I think of the outline as a diagram, a superstructure. When you see dialogue in one of my outlines, it’s because inserting the dialogue is the most complete, expeditious way to describe a given scene.

I set a goal of outlined pages that I want to get through each day. It’s the ratio of text pages to outline pages that’s important. That proportion determines everything. Today I went through five pages of the outline. That equals about eight pages of the novel. The outline for Blood’s a Rover, which is three hundred and ninety-seven pages, is exponentially more detailed than the three-hundred-and-forty-five-page outline for The Cold Six Thousand. So the ratio of book pages to outline pages varies, depending on the density of the outline.

I need to work just as rigorously on the outline as I do on the actual writing of the text, in order to keep track of the plot and the chronology. But once I’m writing text, I can be flexible, because the outline is there. Take today: I woke up early, at five-thirty. I worked for a couple of hours, took a break for some oatmeal, shut my eyes for a moment, and went back at it. I was overcaffeinated, jittery-assed, panic-attacky. Sometimes I go until I just can’t go anymore. I flatline and need some peace.

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Woody Allen’s atheism

From Robert E. Lauder’s interview with Woody Allen, “Whatever Works” (Commonweal: 15 April 2010):

Well, you know, you want some kind of relief from the agony and terror of human existence. Human existence is a brutal experience to me…it’s a brutal, meaningless experience—an agonizing, meaningless experience with some oases, delight, some charm and peace, but these are just small oases. Overall, it is a brutal, brutal, terrible experience, and so it’s what can you do to alleviate the agony of the human condition, the human predicament?

I’m really impotent against the overwhelming bleakness of the universe and that the only thing I can do is my little gift and do it the best I can, and that is about the best I can do, which is cold comfort.

I also feel that humor, just like Fred Astaire dance numbers or these lightweight musicals, gives you a little oasis. You are in this horrible world and for an hour and a half you duck into a dark room and it’s air-conditioned and the sun is not blinding you and you leave the terror of the universe behind and you are completely transported into an escapist situation. The women are beautiful, the men are witty and heroic, nobody has terrible problems and this is a delightful escapist thing, and you leave the theatre refreshed. It’s like drinking a cool lemonade and then after a while you get worn down again and you need it again.

there are these oases, and life is horrible, but it is not relentlessly black from wire to wire. You can sit down and hear a Mozart symphony, or you can watch the Marx Brothers, and this will give you a pleasant escape for a while. And that is about the best that you can do… I feel that one can come up with all these rationalizations and seemingly astute observations, but I think I said it well at the end of Deconstructing Harry: we all know the same truth; our lives consist of how we choose to distort it, and that’s it. Everybody knows how awful the world is and what a terrible situation it is and each person distorts it in a certain way that enables him to get through. Some people distort it with religious things. Some people distort it with sports, with money, with love, with art, and they all have their own nonsense about what makes it meaningful, and all but nothing makes it meaningful. These things definitely serve a certain function, but in the end they all fail to give life meaning and everyone goes to his grave in a meaningless way.

I feel that is true—that one can commit a crime, do unspeakable things, and get away with it. There are people who commit all sorts of crimes and get away with it, and some of them are plagued with all sorts of guilt for the rest of their lives and others aren’t. They commit terrible crimes and they have wonderful lives, wonderful, happy lives, with families and children, and they have done unspeakably terrible things. There is no justice, there is no rational structure to it. That is just the way it is, and each person figures out some way to cope…. Some people cope better than others. I was with Billy Graham once, and he said that even if it turned out in the end that there is no God and the universe is empty, he would still have had a better life than me. I understand that. If you can delude yourself by believing that there is some kind of Santa Claus out there who is going to bail you out in the end, then it will help you get through. Even if you are proven wrong in the end, you would have had a better life.

I didn’t see [Shane, from the movie Shane] as a martyred figure, a persecuted figure. I saw him as quite a heroic figure who does a job that needs to be done, a practical matter. I saw him as a practical secular character. In this world there are just some people who need killing and that is just the way it is. It sounds terrible, but there is no other way to get around that, and most of us are not up to doing it, incapable for moral reasons or physically not up to it. And Shane is a person who saw what had to be done and went out and did it. He had the skill to do it, and that’s the way I feel about the world: there are certain problems that can only be dealt with that way. As ugly a truth as that is, I do think it’s the truth about the world.

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Errol Morris on film noir

From Errol Morris’s “Film Legend Errol Morris Salutes New Graduates At 2010 Commencement” (Berkeley Graduate School of Journalism: 10 May 2010):

There are many things I liked about noir. But in particular, there are images of one benighted character after another struggling to make sense of the world – and sometimes failing in the effort. [Their failure could be chalked up to many things. But most severe among the possibilities, was the thought that the world might be intractable. That you can never figure out how it works, what makes it tick. A terribly, sad thought. There has to be, there just has to be the presumption that you can figure things out.]

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The dangers of loyalty based on personality, not policies

This quotation is directly about politics, but it’s about anyone – or even anything – we emotionally attach ourselves to.

From Glenn Greenwald’s “My friend the president” (Salon: 8 December 2009):

Those who venerated Bush because he was a morally upright and strong evangelical-warrior-family man and revere Palin as a common-sense Christian hockey mom are similar in kind to those whose reaction to Obama is dominated by their view of him as an inspiring, kind, sophisticated, soothing and mature intellectual. These are personality types bolstered with sophisticated marketing techniques, not policies, governing approaches or ideologies. But for those looking for some emotional attachment to a leader, rather than policies they believe are right, personality attachments are far more important. They’re also far more potent. Loyalty grounded in admiration for character will inspire support regardless of policy, and will produce and sustain the fantasy that this is not a mere politician, but a person of deep importance to one’s life who — like a loved one or close friend or religious leader — must be protected and defended at all costs.

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David Foster Wallace on leadership

From David Foster Wallace’s “The Weasel, Twelve Monkeys And The Shrub: Seven Days In The Life Of The Late, Great John McCain” (Rolling Stone: 13 April 2000):

The weird thing is that the word “leader” itself is cliché and boring, but when you come across somebody who actually is a real leader, that person isn’t cliché or boring at all; in fact he’s sort of the opposite of cliché and boring.

Obviously, a real leader isn’t just somebody who has ideas you agree with, nor is it just somebody you happen to think is a good guy. A real leader is somebody who, because of his own particular power and charisma and example, is able to inspire people, with “inspire” being used here in a serious and non-cliché way. A real leader can somehow get us to do certain things that deep down we think are good and want to be able to do but usually can’t get ourselves to do on our own. It’s a mysterious quality, hard to define, but we always know it when we see it, even as kids. You can probably remember seeing it in certain really great coaches, or teachers, or some extremely cool older kid you “looked up to” (interesting phrase) and wanted to be just like. Some of us remember seeing the quality as kids in a minister or rabbi, or a Scoutmaster, or a parent, or a friend’s parent, or a supervisor in a summer job. And yes, all these are “authority figures,” but it’s a special kind of authority. If you’ve ever spent time in the military, you know how incredibly easy it is to tell which of your superiors are real leaders and which aren’t, and how little rank has to do with it. A leader’s real “authority” is a power you voluntarily give him, and you grant him this authority not with resentment or resignation but happily; it feels right. Deep down, you almost always like how a real leader makes you feel, the way you find yourself working harder and pushing yourself and thinking in ways you couldn’t ever get to on your own.

Lincoln was, by all available evidence, a real leader, and Churchill, and Gandhi, and King. Teddy and Franklin Roosevelt, and de Gaulle, and certainly Marshall and maybe Eisenhower. (Of course Hitler was a real leader too, a very powerful one, so you have to watch out; all it is is a weird kind of power.)

Now you have to pay close attention to something that’s going to seem real obvious. There is a difference between a great leader and a great salesman. Because a salesman’s ultimate, overriding motivation is his own self-interest. If you buy what he’s selling, the salesman profits. So even though the salesman may have a very powerful, charismatic, admirable personality, and might even persuade you that buying really is in your interest (and it really might be) — still, a little part of you always knows that what the salesman’s ultimately after is something for himself. And this awareness is painful … although admittedly it’s a tiny pain, more like a twinge, and often unconscious. But if you’re subjected to enough great salesmen and salespitches and marketing concepts for long enough — like from your earliest Saturday-morning cartoons, let’s say — it is only a matter of time before you start believing deep down that everything is sales and marketing, and that whenever somebody seems like they care about you or about some noble idea or cause, that person is a salesman and really ultimately doesn’t give a shit about you or some cause but really just wants something for himself.

Yes, this is simplistic. All politicians sell, always have. FDR and JFK and MLK and Gandhi were great salesmen. But that’s not all they were. People could smell it. That weird little extra something. It had to do with “character” (which, yes, is also a cliché — suck it up).

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Gottman on relationships

From THE MATHEMATICS OF LOVE: A Talk with John Gottman (Edge: 14 April 2004):

So far, his surmise is that “respect and affection are essential to all relationships working and contempt destroys them. It may differ from culture to culture how to communicate respect, and how to communicate affection, and how not to do it, but I think we’ll find that those are universal things”.

Another puzzle I’m working on is just what happens when a baby enters a relationship. Our study shows that the majority (67%) of couples have a precipitous drop in relationship happiness in the first 3 years of their first baby’s life. That’s tragic in terms of the climate of inter-parental hostility and depression that the baby grows up in. That affective climate between parents is the real cradle that holds the baby. And for the majority of families that cradle is unsafe for babies.

So far I believe we’re going to find that respect and affection are essential to all relationships working and contempt destroys them. It may differ from culture to culture how to communicate respect, and how to communicate affection, and how not to do it, but I think we’ll find that those are universal things.

Bob Levenson and I were very surprised when, in 1983, we found that we could actually predict, with over 90 percent accuracy, what was going to happen to a relationship over a three-year period just by examining their physiology and behavior during a conflict discussion, and later just from an interview about how the couple viewed their past. 90% accuracy!

That was surprising to us. It seemed that people either started in a mean-spirited way, a critical way, started talking about a disagreement, started talking about a problem as just a symptom of their partner’s inadequate character, which made their partner defensive and escalated the conflict, and people started getting mean and insulting to one another. That predicted the relationship was going to fall apart. 96% of the time the way the conflict discussion started in the first 3 minutes determined how it would go for the rest of the discussion. And four years later it was like no time had passed, their interaction style was almost identical. Also 69% of the time they were talking about the same issues, which we realized then were “perpetual issues” that they would never solve. These were basic personality differences that never went away. She was more extroverted or she was more of an explorer or he was more punctual or frugal.

Some couples were caught by the web of these perpetual issues and made each other miserable, they were “grid locked” like bumper-to-bumper traffic with these issues, while other couples had similar issues but coped with them and had a “dialogue” that even contained laughter and affection. It seemed that relationships last to the extent that you select someone whose annoying personality traits don’t send you into emotional orbit. Once again conventional wisdom was wrong. The big issue wasn’t helping couples resolve their conflicts, but moving them from gridlock to dialogue. And the secret of how to do that turned out to be having each person talk about their dream within the conflict and bringing Viktor Frankl’s existential logotherapy into the marital boxing ring. Once people talked about what they wished for and hoped for in this gridlock conflict and the narrative of why this was so important to them, in 86% of the cases they would move from gridlock to dialogue. Again a new door opened. Not all marital conflicts are the same. You can’t teach people a set of skills and just apply them to every issue. Some issues are deeper, they have more meaning. And then it turned out that the very issues that cause the most pain and alienation can also be the greatest sources of intimacy and connection.

Another surprise: we followed couples for as long as 20 years, and we found that there was another kind of couple that didn’t really show up on the radar; they looked fine, they weren’t mean, they didn’t escalate the conflict — but about 16 to 22 years after the wedding they started divorcing. They were often the pillars of their community. They seemed very calm and in control of their lives, and then suddenly they break up. Everyone is shocked and horrified. But we could look back at our early tapes and see the warning signs we had never seen before. Those people were people who just didn’t have very much positive connection. There wasn’t very much affection — and also especially humor — between them.

…These sorts of emotionally disconnected relationships were another important dimension of failed relationships. We learned through them that the quality of the friendship and intimacy affects the nature of conflict in a very big way.

One of the major things we found is that honoring your partner’s dreams is absolutely critical. A lot of times people have incompatible dreams — or they don’t want to honor their partner’s dreams, or they don’t want to yield power, they don’t want to share power. So that explains a lot of times why they don’t really belong together.

Psycho-physiology is an important part of this research. It’s something that Bob Levenson brought to the search initially, and then I got trained in psycho-physiology as well. And the reason we’re interested in what was happening in the body is that there’s an intimate connection between what’s happening to the autonomic nervous system and what happening in the brain, and how well people can take in information — how well they can just process information — for example, just being able to listen to your partner — that is much harder when your heart rate is above the intrinsic rate of the heart, which is around a hundred to a hundred and five beats a minute for most people with a healthy heart.

At that point we know, from Loren Rowling’s work, that people start secreting adrenalin, and then they get into a state of diffuse physiological arousal (or DPA) , so their heart is beating faster, it’s contracting harder, the arteries start getting constricted, blood is drawn away from the periphery into the trunk, the blood supply shuts down to the gut and the kidney, and all kinds of other things are happening — people are sweating, and things are happening in the brain that create a tunnel vision, one in which they perceive everything as a threat and they react as if they have been put in great danger by this conversation.

Because men are different. Men have a lot of trouble when they reach a state of vigilance, when they think there’s real danger, they have a lot of trouble calming down. and there’s probably an evolutionary history to that. Because it functioned very well for our hominid ancestors, anthropologists think, for men to stay physiologically aroused and vigilant, in cooperative hunting and protecting the tribe, which was a role that males had very early in our evolutionary history. Whereas women had the opposite sort of role, in terms of survival of the species, those women reproduced more effectively who had the milk-let-down reflex, which only happens when oxytocin is secreted in the brain, it only happens when women — as any woman knows who’s been breast-feeding, you have to be able to calm down and relax. But oxytocin is also the hormone of affiliation. So women have developed this sort of social order, caring for one another, helping one another, and affiliating, that also allows them to really calm down and have the milk let-down reflex. And so — it’s one of nature’s jokes. Women can calm down, men can’t; they stay aroused and vigilant.

Physiology becomes really critical in this whole thing. A provocative finding from Alyson Shapiro’s recent dissertation is that if we take a look at how a couple argues when the woman is in the sixth month of pregnancy, we can predict over half the variation in the baby, the three-month-old baby’s vagal tone, which is the ability of the vagus nerve, the major nerve of the parasympathetic branch of the autonomic nervous system, which is responsible for establishing calm and focusing attention. That vagus nerve in the baby is eventually going to be working well if the parents, during pregnancy, are fighting with each other constructively. That takes us into fetal development, a whole new realm of inquiry.

You have to study gay and Lesbian couples who are committed to each other as well as heterosexual couples who are committed to each other, and try and match things as much as you can, like how long they’ve been together, and the quality of their relationship. And we’ve done that, and we find that there are two gender differences that really hold up.

One is that if a man presents an issue, to either a man he’s in love with or a woman he’s in love with, the man is angrier presenting the issue. And we find that when a woman receives an issue, either from a woman she loves or a man she loves, she is much more sad than a man would be receiving that same issue. It’s about anger and sadness. Why? Remember, Bowlby taught us that attachment and loss and grief are part of the same system. So women are finely tuned to attaching and connecting and to sadness and loss and grief, while men are attuned to defend, stay vigilant, attack, to anger. My friend Levenson did an acoustic startle study (that’s where you shoot of a blank pistol behind someone’s head when they least expect it). Men had a bigger heart rate reactivity and took longer to recover, which we would expect, but what even more interesting is that when you asked people what they were feeling, women were scared and men were angry.

So that’s probably why those two differences have held up. Physiologically people find over and over again in heterosexual relationships — and this hasn’t been studied yet in gay and Lesbian relationships — that men have a lower flash point for increasing heart-rate arousal, and it takes them longer to recover. And not only that, but when men are trying to recover, and calm down, they can’t do it very well because they keep naturally rehearsing thoughts of righteous indignation and feeling like an innocent victim. They maintain their own vigilance and arousal with these thoughts, mostly of getting even, whereas women really can distract themselves and calm down physiologically from being angered or being upset about something. If women could affiliate and secrete oxytocin when they felt afraid, they’s even calm down faster, probably.

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Social networking and “friendship”

From danah boyd’s “Friends, Friendsters, and MySpace Top 8: Writing Community Into Being on Social Network Sites” (First Monday: December 2006)

John’s reference to “gateway Friends” concerns a specific technological affordance unique to Friendster. Because the company felt it would make the site more intimate, Friendster limits users from surfing to Profiles beyond four degrees (Friends of Friends of Friends of Friends). When people login, they can see how many Profiles are “in their network” where the network is defined by the four degrees. For users seeking to meet new people, growing this number matters. For those who wanted it to be intimate, keeping the number smaller was more important. In either case, the number of people in one’s network was perceived as directly related to the number of friends one had.

“I am happy with the number of friends I have. I can access over 26,000 profiles, which is enough for me!” — Abby

The number of Friends one has definitely affects the size of one’s network but connecting to Collectors plays a much more significant role. Because these “gateway friends” (a.k.a. social network hubs) have lots of Friends who are not connected to each other, they expand the network pretty rapidly. Thus, connecting to Collectors or connecting to people who connect to Collectors opens you up to a large network rather quickly.

While Collectors could be anyone interested in amassing many Friends, fake Profiles were developed to aid in this process. These Fakesters included characters, celebrities, objects, icons, institutions, and ideas. For example, Homer Simpson had a Profile alongside Jesus and Brown University. By connecting people with shared interests or affiliations, Fakesters supported networking between like-minded individuals. Because play and connecting were primary incentives for many Fakesters, they welcomed any and all Friends. Likewise, people who wanted access to more people connected to Fakesters. Fakesters helped centralize the network and two Fakesters — Burning Man and Ali G — reached mass popularity with over 10,000 Friends each before the Web site’s creators put an end to their collecting and deleted both accounts. This began the deletion of all Fakesters in what was eventually termed the Fakester Genocide [8].

While Friendster was irritated by fake Profiles, MySpace embraced this practice. One of MySpace’s early strategies was to provide a place for everyone who was rejected from Friendster or who didn’t want to be on a dating site [9]. Bands who had been kicked off of Friendster were some of the earliest MySpace users. Over time, movie stars, politicians, porn divas, comedians, and other celebrities joined the fray. Often, the person behind these Profiles was not the celebrity but a manager. Corporations began creating Profiles for their products and brands. While Friendster eventually began allowing such fake Profiles for a fee, MySpace never charged people for their commercial uses.

Investigating Friendship in LiveJournal, Kate Raynes-Goldie and Fono (2005) found that there was tremendous inconsistency in why people Friended others. They primarily found that Friendship stood for: content, offline facilitator, online community, trust, courtesy, declaration, or nothing. When I asked participants about their practices on Friendster and MySpace, I found very similar incentives. The most common reasons for Friendship that I heard from users [11] were:

1. Actual friends
2. Acquaintances, family members, colleagues
3. It would be socially inappropriate to say no because you know them
4. Having lots of Friends makes you look popular
5. It’s a way of indicating that you are a fan (of that person, band, product, etc.)
6. Your list of Friends reveals who you are
7. Their Profile is cool so being Friends makes you look cool
8. Collecting Friends lets you see more people (Friendster)
9. It’s the only way to see a private Profile (MySpace)
10. Being Friends lets you see someone’s bulletins and their Friends-only blog posts (MySpace)
11. You want them to see your bulletins, private Profile, private blog (MySpace)
12. You can use your Friends list to find someone later
13. It’s easier to say yes than no

These incentives account for a variety of different connections. While the first three reasons all concern people that you know, the rest can explain why people connect to a lot of people that they do not know. Most reveal how technical affordances affect people’s incentives to connect.

Raynes-Goldie and Fono (2005) also found that there is a great deal of social anxiety and drama provoked by Friending in LiveJournal (LJ). In LJ, Friendship does not require reciprocity. Anyone can list anyone else as a Friend; this articulation is public but there is no notification. The value of Friendship on LJ is deeply connected to the privacy settings and subscription processes. The norm on LJ is to read others’ entries through a “Friends page.” This page is an aggregation of all of an individual’s Friends’ posts. When someone posts an LJ entry, they have a choice as to whether the post should be public, private, Friends-only, or available to subgroups of Friends. In this way, it is necessary to be someone’s Friend to have access to Friends-only posts. To locate how the multiple and conflicting views of Friendship cause tremendous conflict and misunderstanding on LJ, Raynes-Goldie and Fono speak of “hyperfriending.” This process is quite similar to what takes place on other social network sites, but there are some differences. Because Friends-only posts are commonplace, not being someone’s Friend is a huge limitation to information access. Furthermore, because reciprocity is not structurally required, there’s a much greater social weight to recognizing someone’s Friendship and reciprocating intentionally. On MySpace and Friendster, there is little to lose by being loose with Friendship and more to gain; the perception is that there is much more to lose on LJ.

While users can scroll through their list of Friends, not all Friends are displayed on the participant’s Profile. Most social network sites display Friends in the order in which their account was created or their last login date. By implementing a “Top 8” feature, MySpace changed the social dynamics around the ordering of Friends. Initially, “Top 8” allowed users to select eight Friends to display on their Profile. More recently, that feature was changed to “Top Friends” as users have more options in how many people they could list [12]. Many users will only list people that they know and celebrities that they admire in their Top Friends, often as a way to both demarcate their identity and signal meaningful relationships with others.

There are many advantages to the Top Friends feature. It allows people to show connections that really say something about who they are. It also serves as a bookmark to the people that matter. By choosing to list the people who one visits the most frequently, simply going to one’s Profile provides a set of valuable links.

“As a kid, you used your birthday party guest list as leverage on the playground. ‘If you let me play I’ll invite you to my birthday party.’ Then, as you grew up and got your own phone, it was all about someone being on your speed dial. Well today it’s the MySpace Top 8. It’s the new dangling carrot for gaining superficial acceptance. Taking someone off your Top 8 is your new passive aggressive power play when someone pisses you off.” — Nadine

There are a handful of social norms that pervade Top 8 culture. Often, the person in the upper left (“1st” position) is a significant other, dear friend, or close family member. Reciprocity is another salient component of Top Friends dynamics. If Susan lists Mary on her Top 8, she expects Mary to reciprocate. To acknowledge this, Mary adds a Comment to Susan’s page saying, “Thanx for puttin me on ur Top 8! I put you on mine 2.” By publicly acknowledging this addition, Mary is making certain Susan’s viewers recognize Mary’s status on Susan’s list. Of course, just being in someone’s list is not always enough. As Samantha explains, “Friends get into fights because they’re not 1st on someone’s Top 8, or somebody else is before them.” While some people are ecstatic to be added, there are many more that are frustrated because they are removed or simply not listed.

The Top Friends feature requires participants to actively signal their relationship with others. Such a system makes it difficult to be vague about who matters the most, although some tried by explaining on their bulletins what theme they are using to choose their Top 8 this week: “my Sagittarius friends,” “my basketball team,” and “people whose initials are BR.” Still others relied on fake Profiles for their Top 8.

The networked nature of impressions does not only affect the viewer — this is how newcomers decided what to present in the first place. When people first joined Friendster, they took cues from the people who invited them. Three specific subcultures dominated the early adopters — bloggers, attendees of the Burning Man [14] festival, and gay men mostly living in New York. If the invitee was a Burner, their Profile would probably be filled with references to the event with images full of half-naked, costumed people running around the desert. As such, newcomers would get the impression that it was a site for Burners and they would create a Profile that displayed that facet of their identity. In decided who to invite, newcomers would perpetuate the framing by only inviting people who are part of the Burning Man subculture.

Interestingly, because of this process, Burners believed that the site was for Burners, gay men thought it was a gay dating site, and bloggers were ecstatic to have a geek socializing tool. The reason each group got this impression had to do with the way in which context was created on these systems. Rather than having the context dictated by the environment itself, context emerged through Friends networks. As a result, being socialized into Friendster meant connected to Friends that reinforced the contextual information of early adopters.

The growth of MySpace followed a similar curve. One of the key early adopter groups were hipsters living in the Silverlake neighborhood of Los Angeles. They were passionate about indie rock music and many were musicians, promoters, club goers, etc. As MySpace took hold, long before any press was covering the site, MySpace took off amongst 20/30-something urban socializers, musicians, and teenagers. The latter group may not appear obvious, but teenagers are some of the most active music consumers — they follow music culture avidly, even when they are unable to see the bands play live due to age restrictions. As the site grew, the teenagers and 20/30-somethings pretty much left each other alone, although bands bridged these groups. It was not until the site was sold to News Corp. for US$580 million in the summer of 2005 that the press began covering the phenomenon. The massive press helped it grow larger, penetrating those three demographics more deeply but also attracting new populations, namely adults who are interested in teenagers (parents, teachers, pedophiles, marketers).

When context is defined by whom one Friends, and addressing multiple audiences simultaneously complicates all relationships, people must make hard choices. Joshua Meyrowitz (1985) highlights this problem in reference to television. In the early 1960s, Stokely Carmichael regularly addressed segregated black and white audiences about the values of Black Power. Depending on his audience, he used very different rhetorical styles. As his popularity grew, he began to attract media attention and was invited to speak on TV and radio. Unfortunately, this was more of a curse than a blessing because the audiences he would reach through these mediums included both black and white communities. With no way to reconcile the two different rhetorical styles, he had to choose. In choosing to maintain his roots in front of white listeners, Carmichael permanently alienated white society from the messages of Black Power.

Notes

10. Friendster originally limited users to 150 Friends. It is no accident that they chose 150, as this is the “Dunbar number.” In his research on gossip and grooming, Robin Dunbar argues that there is a cognitive limit to the number of relations that one can maintain. People can only keep gossip with 150 people at any given time (Dunbar, 1998). By capping Friends at 150, Friendster either misunderstood Dunbar or did not realize that their users were actually connecting to friends from the past with whom they are not currently engaging.

12. Eight was the maximum number of Friends that the system initially let people have. Some users figured out how to hack the system to display more Friends; there are entire bulletin boards dedicated to teaching others how to hack this. Consistently, upping the limit was the number one request that the company received. In the spring of 2006, MySpace launched an ad campaign for X-Men. In return for Friending X-Men, users were given the option to have 12, 16, 20, or 24 Friends in their Top Friends section. Millions of users did exactly that. In late June, this feature was introduced to everyone, regardless of Friending X-Men. While eight is no longer the limit, people move between calling it Top 8 or Top Friends. I will use both terms interchangeably, even when the number of Friends might be greater than eight.

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Cheating, security, & theft in virtual worlds and online games

From Federico Biancuzzi’s interview with security researchers Greg Hoglund & Gary McGraw, authors of Exploiting Online Games, in “Real Flaws in Virtual Worlds” (SecurityFocus: 20 December 2007):

The more I dug into online game security, the more interesting things became. There are multiple threads intersecting in our book: hackers who cheat in online games and are not detected can make tons of money selling virtual items in the middle market; the law says next to nothing about cheating in online games, so doing so is really not illegal; the kinds of technological attacks and exploits that hackers are using to cheat in online games are an interesting bellwether; software is evolving to look very much like massively distributed online games look today with thick clients and myriad time and state related security problems. [Emphasis added]

In Brazil, a criminal gang even kidnapped a star MMORPG player in order to take away his character, and its associated virtual wealth.

The really interesting thing about online game security is that the attackers are in most cases after software running on their own machine, not software running on somebody else’s box. That’s a real change. Interestingly, the laws we have developed in computer security don’t have much to say about cheating in a game or hacking software on your own PC.

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More on Slab City

From Evelyn Nieves’s “Slab City Journal; For Thousands, a Town of Concrete Slabs Is a Winter Retreat” (The New York Times: 18 February 2001):

Every winter, when the Winnebagos and pickups shake the desert off Beal Road like a small earthquake, Ben Morofsky gets wistful for the 120-degree days of summer, and the peace of living with just a few hearty slabbers like himself. …

The 640 or so state-owned acres of tumbleweed and barren sand deep in the desert of Southern California, by the Arizona and Mexico borders, is not really a city, or town, or much of anything else. Year-round, it houses fewer than a hundred people, parked on concrete slabs in the sand, in campers or buses or the shells of whatever vehicle they could scrounge. But come the pale sun of winter, it becomes a bona fide attraction for a couple of thousand people fleeing the snow of the Midwest, Northwest and Canada.

The migrants, or snowbirds, come to Slab City in all manner of vehicle. They bring trailers that look like ranch houses on wheels, pickup trucks with tents and tarps on them, and every kind of camper in between. (There is even a snowbird reverend, who brings in his own nondenominational Christian church.) They start arriving in late October, reach critical mass by Thanksgiving and will drive away around April, returning Slab City to its other, loner self.

Winter can make for a sometimes uneasy mix. Snowbirds are retirees mostly, who stay about five months, merry as scouts on a camping trip. The slabbers, of all ages, eke out an existence from small retirement or other government checks, or just plain grit and charity. …

But Mr. Morofsky, 38, a self-taught mechanic who lives in a bus on a slab he shares with his girlfriend, three dogs, half a dozen chubby puppies and three friends with three more dogs and three more puppies, sees the bright side of sharing the desert half the year. He earns his bread fixing engines, generators, or just about anything the snowbirds need fixed.

“Snowbirds and slabbers are a different class of people. But we can all get along,” said Mr. Morofsky, playing catch with six dogs in the Coachella Branch of the All-American Canal that runs through Slab City like a vein. …

Everyone in Slab City, snowbird and slabber alike, is a squatter. They stay here for nothing (and get nothing in return, they like to say). They can pick up their mail at the post office in Niland, the down-and-out farm town four miles away. The Imperial County Sheriff’s Department, and the Niland Fire Department, keep watch to protect them. The dozen or so children in Slab City get picked up by the school bus. That is it as far as services. …

Yet chances are, if you ask someone who lives in Slab City full time what it is like, you will hear that it is like a lot of places, only hotter.

Not true. Slab City is a community of sorts for people who have not found community elsewhere, or else have not wanted it. The slab part of its name comes from its origins as a military base half a century ago. When the Army pulled up stakes, it left concrete slabs used as foundations for portable buildings. People began using the slabs to set up camps.

The most famous resident of Slab City is Leonard Knight, who has been building a mountain to God out of homemade clay for 16 years. His Salvation Mountain, painted in the colors of Froot Loops from donated paint, is three stories high, says “God Is Love” for at least two stories, and can be seen for miles around. It also marks the official entrance to Slab City. Mr. Knight, who is 69, is used to getting photographed for art books and magazines, but remains down to earth. “I try to spread God’s love everywhere,” he said.

Other longtime slabbers include Linda Barnett, who has lived here 12 years. She lives in a camper with a camouflage net as a canopy and a large antenna on the roof. The official Slab City hostess, she makes nightly announcements on a CB radio for all residents. “The announcements are about services provided, food programs, things for barter and trade,” she said wearily from a picnic bench. “The announcements can take 45 minutes.”

Then there is Mel Martin, known as Pops. An elderly eccentric millionaire, or so it is rumored, he lives in a truck in a compound with Mr. Morofsky, in protest, he said, of bourgeois society.

“What I want to know of the outside world,” he said, “is, are people ever going to rise from their complacency? We need a little protest in this country.”

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The end of days in Slab City

From Charlie LeDuff’s “Parked in a Desert, Waiting Out the Winter of Life” (The New York Times: 17 December 2004):

Directions to purgatory are as follows: from Los Angeles drive east past Palm Springs into the bowels of the Mojave Desert. Turn south at the stench of the Salton Sea. Proceed down Highway 111 to the town of Niland, a broken-down place of limited possibilities.

Turn left on Main Street and head down the road to the railroad tracks where the law sometimes waits, as though the tracks were an international boundary.

“Where you going?” asked the deputy, Frank Lopez, on a recent night, even though the road leads to just one place. The Slabs.

Bored stiff, the deputy spun a ghost story about drugged-out crazies, a cult in a blue bus, a child molester, a man who sleeps with rattlesnakes, a mobster on the lam, and old people, flocks of old people who have traded in their picket fences for a mobile home and a life on the drift. …

Five miles down is the sign, “Welcome to Slab City,” marking the entrance of this former World War II military base. The only suggestion of life this night was the flickering of campfires. …

Pastor Hyatt, at 69, has inherited the burden of living. His wife, Audrey, died this year after suffering a stroke here in the desert wasteland. The memory of her scent is everywhere.

“Ah, he’s lonely, and it’s tough to see it,” said Rusty, 73, who sat at the pastor’s fire, warming himself. Rusty looked and smelled like a bum — the price paid, he said, for freedom. “Nobody particularly wants to die out here in the desert, but the living’s free.”

Slab City is not so sinister as it is a strange, forlorn quarter of America. It is a town that is not really a town, a former training grounds with nothing left but the concrete slabs where the barracks stood. Gen. George S. Patton trained troops here. Pilots of the Enola Gay practiced their atomic mission, dropping dummy bombs into the sea.

The land belongs to the state, but the state, like the law, does not bother, and so the Slabs have become a place to park free. More than 3,000 elderly people settle in for the winter, in a pattern that dates back at least 20 years. They are mostly single, divorced or widowed — a whole generation on the road, independent, alone. In this place, to be 55 years old is to be young.

There are no amenities; no potable water, no electricity, no sewerage. Groceries can be picked up in town at the grubby market whose managers do not seem to mind that hundreds of people fill their jugs from the water tap. Mail is routed to a post office box — Niland, CA 92257. Gasoline is bought in distant towns like Brawley; prescriptions and liquor are bought in Mexico. Sewage is held in storage tanks or holes in the ground.

The north side of Main Street is Poverty Flats. The south side, the suburbs, where the relatively well-to-do motorhomies have their dinner dances and clubhouse trailers.

Cole Robertson lives in the Flats with his wife, Mabel. Mr. Robertson, 72, is a retired construction worker from East Texas who cuts an intimidating figure, sitting shirtless, with one rheumy eye, a watermelon physique and a cotton fields vocabulary. An argument with a neighbor last year ended with one of the Robertsons’ trailers in flames. That is how law is dispensed in the Flats, vigilante style. One man was dragged to death a few years ago, another shot in the kneecap last year. Occasionally, the deputies do come around, usually in the day to exercise a warrant or to remove children who have not been seen in school for months. But normally, justice comes at the end of a matchstick in the Flats.

“There ain’t no rules,” Mr. Robertson said. He told of his neighbors, an aging man who lives with his voices in the rundown bus, a geriatric transvestite, a no-good who strapped his kid to a tree and left him in the sun.

A few years ago, a man tried making scrap metal from an unexploded aluminum shell he found at the bombing range in the nearby Chocolate Mountains. He succeeded but at the cost of his own life. His legs had to be picked from a tree.

It was in this anarchy, eight years ago, that Pastor Hyatt stumbled upon his life’s purpose. He discovered the Slabs quite by accident. He and Audrey had packed up their whole life, sold the house in Lebanon, Ore., left their jobs at the titanium plant where he was a shift foreman, said goodbye to their children and to their obligations and struck out on the road.

He was not always a good man, he admits that. He had a temper and hard fists. But he came across a band of rolling revivalists that first year on the road, and followed them to Minnesota. He was ordained by the World Wide Ministries without ever studying at seminary and seems a little embarrassed by this.

Stuck near Niland, the pastor inquired about a place to camp in an R.V. for the evening. A stranger told him about the Slabs, five miles down the road.

Upon seeing the privation and sadness and isolation, the preacher and his wife believed that the Creator had given them a second life. They built the Slab City Christian Center out of modular housing and began to preach and feed October through April, when the weather is clement and the Slabs come to life.

When people were found dead in their trailers, the pastor and his wife were there with a Psalm. They gave children rides to the hospital. The Hyatts paid for the work from their life savings. But Audrey was felled by a stroke in February and passed in May.

When she died, the pastor’s self-assurance faltered and he found that he had become one of the lost, emotionally stranded with one foot in hell and the other on an ice cube. …

Rusty, the doubter who cleans his shirt once a week in a bucket. Rusty, who tells about a prepubescent military career. Rusty, whose smell and language come from the stables. Rusty, who came in on a bus and says he ran a militia out of this camp for 12 years in case the Mexicans invaded from the south or the F.B.I. from the east.

“Everybody can’t fit in to the middle-class life,” said Rusty, who wore a military shirt and cap, military boots and long fingernails as thick as seashells. Suffice it to say, Rusty does not want people to know him and does not disclose his last name.

The evening was cold and dark, the air thick with the smells of burning salt oak as Slab City went to sleep. A Frank Sinatra record played somewhere across the salt flats. The thunder of bombs clapped on the far side of the Chocolate Mountains. Rusty smoked by himself in his broken-down camper with the flat wheels and camouflage netting. A lamp burned in the pastor’s trailer.

Rusty talked about a daughter who did not want anything to do with him; a wife he reckoned was working a truck stop somewhere between California and Texas. But Rusty is human. He dreams of a rich woman from the south side of the Slabs. They wear makeup, those girls over there in the R.V.’s. They use toilets instead of buckets. They have class. It’s never going to happen, he says. “I’d love to have company, but I can’t dance anymore,” he said. “I got old legs, but I’m a good conversationalist. But those women over there, they’re stuck up. Middle-class stuck up.”

The senior citizens on the south side of town travel in a sort of lonely-hearts club tailgate. They are alone, having suffered a late-life divorce or the death of a longtime partner. Their vehicles are big, expensive Coachmen and Fleetwoods and Ramblers and the like. They work as a sort of neighborhood watch, and the denizens of the Flats do not cross the imaginary line.

The majority of the society is women. They come to the Slabs because it is free and close to Mexico, where liquor and prescription medicine can be bought cheap. They are educated, savvy about life and competent mechanics.

Donna Lee Cole is a member of Loners on Wheels, a rolling singles club with chapters across the United States. Mrs. Cole says there are at least 10,000 people who belong to this subsociety of aged hobos, people who drive around in search of nothing except tomorrow. They tend to be women, she said, because women live longer than men. …

“We women aren’t looking for a man,” she explained. “The divorcees walked away from a bad situation and don’t want another one. The widows draw Blue Cross and their husband’s Social Security and would lose it if they married a new man. So you don’t bother. You’re just looking for some company.”

Besides, Mrs. Cole says, look at the quality of men, no offense. “They’re bald and paunchy and toothless. I’m old, but I’m not dead.” …

The lonely-hearts clubs have happy hour and social mixers, dances twice a week and trips to town for steak dinners. Still, the Elvis generation goes to bed early and goes to bed alone.

“I was married 46 years,” says Tina Faye at the afternoon mixer at the L.O.W. slab. At 80, Mrs. Faye strikes an exotic figure, lean, rouged, coiffed, with a voice as thick as apricot nectar.

“My man told me to go on if I was to outlive him. So I took to the road. But I feel him sitting there right next to me. I can’t let him go.”

The mood is a bit sad until Ruth Halford, a 74-year-old-widow with a silver permanent, pipes up. “I’m not sad about anything. I don’t owe nobody nothing. I scratch my plans in the dirt. I’m not looking for anybody. The only person I’m in love with is me. Right, girls?”

This is maddening to the eligible bachelor, like a dog chasing a pork chop on a string. A waste of a perfectly beautiful woman.

“Those girls, they get to being independent and they don’t need men,” said John Clairmont, 77, a retired truck driver. “You can never get them to come home with you.” …

The pastor talked about random things from his life with his wife. The snowstorms and eggs in a rooming house. The smell of her hair. Ceramic snowmen she collected. Her face lighted by the dashboard lights. Recipes the children do not ask for. Grandchildren who, chances are, will not remember her name. Death in the desert in some nameless place without longitude or shade.

“That’s the tragedy of old age,” the pastor said as his eyes welled once again. “I’m alone. I’m derelict without her.”

Rusty stared at his feet.

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Arnold Rothstein, criminal kingpin

From Daniel A. Nathan’s “The Big Fix” (Legal Affairs: March/April 2004):

THE BLACK SOX SCANDAL was the sports crime of the 20th century. In a complicated and poorly conceived and executed conspiracy, several prominent Chicago White Sox ballplayers teamed up with gamblers to lose the 1919 World Series to the Cincinnati Reds. …

Of those artfully deceitful manipulators, Arnold Rothstein was the most skillful, a criminal kingpin who had his hand in all manner of illicit endeavors. Known as “the Big Bankroll” and “the Great Brain,” Rothstein helped invent organized crime, and his influence survived his death in 1928. …

There is no denying that Rothstein was clever. A former pool shark, Rothstein managed to graduate from being a small-time bookmaker to what one historian describes as an important “intermediary between the underworld and upper world of New York.” He established successful gambling houses in New York City and Saratoga (then, as now, a popular summer resort town for the well-to-do, especially for those who like to play the ponies) and political connections with Tammany Hall. Rothstein, Pietrusza notes, “pretty much invented the floating crap game,” the illicit diversion later made famous by the Broadway musical Guys and Dolls, on his way to becoming “America’s most notorious gambler.” He was a bootlegger, a labor racketeer, a racetrack owner, a real estate magnate, a bail bondsman, a loan shark, a fence, and, according to [David Pietrusza, author of Rothstein: The Life, Times, and Murder of the Criminal Genius Who Fixed the 1919 World Series], the “founder and mastermind of the modern American drug trade.”

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James Jesse Strang, Mormon King of Michigan

From Geoffrey Gagnon’s “King James I, of Michigan” (Legal Affairs: September/October 2005):

One letter that isn’t on display is the one that James Jesse Strang said he received from Smith just before the Mormon leader was murdered in June 1844. In the letter, which now resides in a university library, Smith bequeaths the nascent Mormon Church to Strang – a new friend, a Mormon of just five months, and, of all things, a lawyer. “If evil befall me,” Smith wrote to Strang in the letter, “thou shalt lead the flock to pleasant pastures.”

Strang’s rivals, among them Brigham Young, dismissed the missive as a forgery and Strang as an unworthy successor to Smith. Yet a couple of hundred church members – Joseph Smith’s widow, mother, brother, and sisters among them – believed the letter was authentic and that it granted church leadership to Strang. A disgusted Brigham Young took his followers west to Utah and built what is now the fastest growing religion in the United States. Strang took his followers to a remote island in Lake Michigan and declared the place his sovereign kingdom.

Hold up the palm of your right hand and you’re looking at a map of Michigan’s lower peninsula. Thirty miles off the coast of your ring finger sits Beaver Island, a 55-square-mile island on the inland sea of Lake Michigan. Only one building survives from Strang’s sojourn, a museum in which Strang artifacts fill one room. …

An old metal press, long since disappeared, once filled the building’s big front room. Strang used the press to spit out the Northern Islander, the region’s first newspaper, and to print his magnum opus, The Book of the Law of the Lord. The long-winded tome of decrees includes what Strang described as the lost transcription of the meeting between Moses and God on Mount Sinai. …

He settled, for the time being, on being a lawyer. “I should rather be the best hunter in an Indian tribe than a commonplace member of the New York bar,” he wrote. But a decade of legal practice yielded little more than common accomplishments, and little more power than that which was afforded him in his capacity as the postmaster of Chautauqua County. …

Strang met the church’s leader after making the acquaintance of Smith’s brother Aaron, who lived near Strang in Wisconsin. Initially, he wasn’t impressed with Joseph Smith, describing him in his diary as a man of “meager education.” Smith, however, seems to have been smitten with Strang’s intelligence. Within weeks of meeting Strang, Smith baptized him, and just weeks after that, he named him a church elder.

Strang, who as a teen was tossed out of the local Baptist church for questioning its precepts, had called himself the “perfect atheist” before moving West, but once on the frontier he realized he might command from the pulpit the power that had eluded him. Strang didn’t bother to familiarize himself with Mormon doctrine until long after he was a church leader. …

In June of 1844, an anti-Mormon crowd killed Joseph and Hyrum Smith. At the instant Smith met his demise, Strang claimed that he received a visit from an angel who anointed his head with oil and declared him the leader of the Mormons. A few days later, a letter to the same effect, purportedly mailed by Joseph Smith before his death, arrived in Strang’s hand. His years as a postmaster, perhaps, had not been wasted. …

Strang and his followers arrived on Beaver Island in the spring of 1847 and spent three difficult summers recruiting followers before he was convinced he had enough subjects to make a respectable kingdom. In 1850, with 200 followers on hand in an unfinished log tabernacle, Strang enlisted a traveling Shakespearean actor named George Adams to muster all the pomp and circumstance he could. Strang appeared before an audience of several hundred on a moss-stuffed seat, wearing a giant red flannel robe trimmed in white. Adams came before the crowd and placed a makeshift crown on Strang’s head, anointing him King James the First. Taking hold of a two-foot wooden pole, Strang returned the favor and named Adams his prime minister.

IN THE SPRING OF 1851, NOT YET A YEAR after Strang had taken royal possession of Beaver Island, the sound of waves helped cover the midnight approach of a rowboat full of troops and U.S. Marshals. Carrying government-issue revolvers, the men slipped toward the glow of an oil lamp in a square log house. Expecting a fight, they instead found the small village of St. James asleep. Marines lay on the deck of the iron-hulled Michigan, armed and ready to charge the beach. But no shots were fired. Within an hour of coming ashore, the landing party had matter-of-factly taken the king into custody. …

President Millard Fillmore, who had entered office the day after Strang’s coronation, reportedly received news of the frontier king from his brother, Charles Fillmore, who lived in Detroit. He soon began hearing about the king from prominent members of his party as well, who pressured the president to take action. Among them was Abraham Lincoln’s 1858 Senate rival, Stephan Douglas, who was wary of giving the South a secession movement to point to in the North. Fillmore instructed his attorney general and the secretary of the Navy to arrest the king. …

Judge Ross Wilkins told the prosecution that because the king and his followers hadn’t engaged in war against the United States or aided enemies of the nation in doing so, the king couldn’t be convicted of treason. That left the federal government with charges against Strang of trespassing on federal land, counterfeiting coins, and obstructing the mail. …

The next morning they delivered a verdict of not guilty. …

STRANG RETURNED FROM DETROIT AND DECLARED HIS TRIAL VICTORY a mandate for his absolute rule. He modernized the kingdom with roads (the King’s Highway, recently resurfaced, is still traveled), managed a lumber export business and a booming fishing trade, and enacted progressive conservation laws (“Ye shall preserve the trees by the wayside. And if there be none, ye shall plant them”). He even appointed garbagemen to keep the kingdom clean.

A year after his win in court, Strang won election to the Michigan Legislature, representing the island and a huge swath of the northern woods, and he commuted to the mainland to serve a pair of two-year terms. He deigned to recognize Michigan’s government, he said, because he saw that as engaging in international relations with a neighboring country. …

After his court victory, Strang’s absolute power began to corrupt him, if not quite absolutely, then bizarrely. He had a fixation with fashion that led him to decree that, for reasons of health, women should wear only loose fitting, knee-length bloomers as opposed to anything that “pinches or compresses the body or limbs.” The king’s stance, and the resulting uproar, unraveled the kingdom. When a collection of outspoken wives refused to don their new pants, Strang had their husbands flogged with a willow whip for “endeavoring to incite mischief and crime.” He reprimanded his subjects in print as well. “We laugh in bitter scorn at all these threats,” he wrote, using the royal we, in what proved to be one of the final issues of the Northern Islander.

Less than two weeks later, a mob of angered husbands, still smarting from their willow lashings, ambushed the king. Strang was pistol-whipped and then felled by an assassin’s bullet. … When Strang fell, pillaging mainlanders flooded the island to drive the Mormons away. The kingdom was scattered and soon forgotten to all but a handful of us Michiganders.

James Jesse Strang, Mormon King of Michigan Read More »

Laws & enforcement in virtual worlds

From James Grimmelmann’s “Life, Death, and Democracy Online“:

… The necessity of a ‘Quit’ option is obvious; no adventure game yet invented can force an unwilling player to continue playing. She can always give the game the three-finger salute, flip the power switch, or throw her computer in the junk heap. …

Banishment is the absolute worst punishment any multi-player online role-playing game can impose on a player. Which is to say that a painless execution is the absolute worst punishment any game society can impose on the characters who are its citizens. Torture is not an option. Imprisonment and fines can be imposed, true, but as soon as the player behind the character finds that these punishments are too onerous, she can simply terminate her account and stop logging in; the rest of the deterrent value of the punishment evaporates. It’s hard to hold characters accountable.

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