night

Errol Morris on film noir

From Errol Morris’s “Film Legend Errol Morris Salutes New Graduates At 2010 Commencement” (Berkeley Graduate School of Journalism: 10 May 2010):

There are many things I liked about noir. But in particular, there are images of one benighted character after another struggling to make sense of the world – and sometimes failing in the effort. [Their failure could be chalked up to many things. But most severe among the possibilities, was the thought that the world might be intractable. That you can never figure out how it works, what makes it tick. A terribly, sad thought. There has to be, there just has to be the presumption that you can figure things out.]

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All about freezing to death

Ice mask, C.T. Madigan / photograph by Frank Hurley
Creative Commons License photo credit: State Library of New South Wales collection

From Peter Stark’s “As Freezing Persons Recollect the Snow–First Chill–Then Stupor–Then the Letting Go” (Outside: January 1997):

There is no precise core temperature at which the human body perishes from cold. At Dachau’s cold-water immersion baths, Nazi doctors calculated death to arrive at around 77 degrees Fahrenheit. The lowest recorded core temperature in a surviving adult is 60.8 degrees. For a child it’s lower: In 1994, a two-year-old girl in Saskatchewan wandered out of her house into a minus-40 night. She was found near her doorstep the next morning, limbs frozen solid, her core temperature 57 degrees. She lived.

The cold remains a mystery, more prone to fell men than women, more lethal to the thin and well muscled than to those with avoirdupois, and least forgiving to the arrogant and the unaware.

Were you a Norwegian fisherman or Inuit hunter, both of whom frequently work gloveless in the cold, your chilled hands would open their surface capillaries periodically to allow surges of warm blood to pass into them and maintain their flexibility. This phenomenon, known as the hunter’s response, can elevate a 35-degree skin temperature to 50 degrees within seven or eight minutes.

Other human adaptations to the cold are more mysterious. Tibetan Buddhist monks can raise the skin temperature of their hands and feet by 15 degrees through meditation. Australian aborigines, who once slept on the ground, unclothed, on near-freezing nights, would slip into a light hypothermic state, suppressing shivering until the rising sun rewarmed them.

The exertion that warmed you on the way uphill now works against you: Your exercise-dilated capillaries carry the excess heat of your core to your skin, and your wet clothing dispels it rapidly into the night. The lack of insulating fat over your muscles allows the cold to creep that much closer to your warm blood.

Your temperature begins to plummet. Within 17 minutes it reaches the normal 98.6. Then it slips below.

At 97 degrees, hunched over in your slow search, the muscles along your neck and shoulders tighten in what’s known as pre-shivering muscle tone. Sensors have signaled the temperature control center in your hypothalamus, which in turn has ordered the constriction of the entire web of surface capillaries. Your hands and feet begin to ache with cold.

At 95, you’ve entered the zone of mild hypothermia. You’re now trembling violently as your body attains its maximum shivering response, an involuntary condition in which your muscles contract rapidly to generate additional body heat.

And after this long stop, the skiing itself has become more difficult. By the time you push off downhill, your muscles have cooled and tightened so dramatically that they no longer contract easily, and once contracted, they won’t relax. You’re locked into an ungainly, spread-armed, weak-kneed snowplow.

As you sink back into the snow, shaken, your heat begins to drain away at an alarming rate, your head alone accounting for 50 percent of the loss. The pain of the cold soon pierces your ears so sharply that you root about in the snow until you find your hat and mash it back onto your head.

But even that little activity has been exhausting. You know you should find your glove as well, and yet you’re becoming too weary to feel any urgency. You decide to have a short rest before going on.

An hour passes. at one point, a stray thought says you should start being scared, but fear is a concept that floats somewhere beyond your immediate reach, like that numb hand lying naked in the snow. You’ve slid into the temperature range at which cold renders the enzymes in your brain less efficient. With every one-degree drop in body temperature below 95, your cerebral metabolic rate falls off by 3 to 5 percent. When your core temperature reaches 93, amnesia nibbles at your consciousness.

In the minus-35-degree air, your core temperature falls about one degree every 30 to 40 minutes, your body heat leaching out into the soft, enveloping snow. Apathy at 91 degrees. Stupor at 90.

You’ve now crossed the boundary into profound hypothermia. By the time your core temperature has fallen to 88 degrees, your body has abandoned the urge to warm itself by shivering. Your blood is thickening like crankcase oil in a cold engine. Your oxygen consumption, a measure of your metabolic rate, has fallen by more than a quarter. Your kidneys, however, work overtime to process the fluid overload that occurred when the blood vessels in your extremities constricted and squeezed fluids toward your center. You feel a powerful urge to urinate, the only thing you feel at all.

By 87 degrees you’ve lost the ability to recognize a familiar face, should one suddenly appear from the woods.

At 86 degrees, your heart, its electrical impulses hampered by chilled nerve tissues, becomes arrhythmic. It now pumps less than two-thirds the normal amount of blood. The lack of oxygen and the slowing metabolism of your brain, meanwhile, begin to trigger visual and auditory hallucinations.

At 85 degrees, those freezing to death, in a strange, anguished paroxysm, often rip off their clothes. This phenomenon, known as paradoxical undressing, is common enough that urban hypothermia victims are sometimes initially diagnosed as victims of sexual assault. Though researchers are uncertain of the cause, the most logical explanation is that shortly before loss of consciousness, the constricted blood vessels near the body’s surface suddenly dilate and produce a sensation of extreme heat against the skin.

There’s an adage about hypothermia: “You aren’t dead until you’re warm and dead.”

At about 6:00 the next morning, his friends, having discovered the stalled Jeep, find him, still huddled inches from the buried log, his gloveless hand shoved into his armpit. The flesh of his limbs is waxy and stiff as old putty, his pulse nonexistent, his pupils unresponsive to light. Dead.

But those who understand cold know that even as it deadens, it offers perverse salvation. Heat is a presence: the rapid vibrating of molecules. Cold is an absence: the damping of the vibrations. At absolute zero, minus 459.67 degrees Fahrenheit, molecular motion ceases altogether. It is this slowing that converts gases to liquids, liquids to solids, and renders solids harder. It slows bacterial growth and chemical reactions. In the human body, cold shuts down metabolism. The lungs take in less oxygen, the heart pumps less blood. Under normal temperatures, this would produce brain damage. But the chilled brain, having slowed its own metabolism, needs far less oxygen-rich blood and can, under the right circumstances, survive intact.

Setting her ear to his chest, one of his rescuers listens intently. Seconds pass. Then, faintly, she hears a tiny sound–a single thump, so slight that it might be the sound of her own blood. She presses her ear harder to the cold flesh. Another faint thump, then another.

The slowing that accompanies freezing is, in its way, so beneficial that it is even induced at times. Cardiologists today often use deep chilling to slow a patient’s metabolism in preparation for heart or brain surgery. In this state of near suspension, the patient’s blood flows slowly, his heart rarely beats–or in the case of those on heart-lung machines, doesn’t beat at all; death seems near. But carefully monitored, a patient can remain in this cold stasis, undamaged, for hours.

In fact, many hypothermia victims die each year in the process of being rescued. In “rewarming shock,” the constricted capillaries reopen almost all at once, causing a sudden drop in blood pressure. The slightest movement can send a victim’s heart muscle into wild spasms of ventricular fibrillation. In 1980, 16 shipwrecked Danish fishermen were hauled to safety after an hour and a half in the frigid North Sea. They then walked across the deck of the rescue ship, stepped below for a hot drink, and dropped dead, all 16 of them.

The doctor rapidly issues orders to his staff: intravenous administration of warm saline, the bag first heated in the microwave to 110 degrees. Elevating the core temperature of an average-size male one degree requires adding about 60 kilocalories of heat. A kilocalorie is the amount of heat needed to raise the temperature of one liter of water one degree Celsius. Since a quart of hot soup at 140 degrees offers about 30 kilocalories, the patient curled on the table would need to consume 40 quarts of chicken broth to push his core temperature up to normal. Even the warm saline, infused directly into his blood, will add only 30 kilocalories.

Ideally, the doctor would have access to a cardiopulmonary bypass machine, with which he could pump out the victim’s blood, rewarm and oxygenate it, and pump it back in again, safely raising the core temperature as much as one degree every three minutes. But such machines are rarely available outside major urban hospitals.

You’d nod if you could. But you can’t move. All you can feel is throbbing discomfort everywhere. Glancing down to where the pain is most biting, you notice blisters filled with clear fluid dotting your fingers, once gloveless in the snow. During the long, cold hours the tissue froze and ice crystals formed in the tiny spaces between your cells, sucking water from them, blocking the blood supply. You stare at them absently.

“I think they’ll be fine,” a voice from overhead says. “The damage looks superficial. We expect that the blisters will break in a week or so, and the tissue should revive after that.”

If not, you know that your fingers will eventually turn black, the color of bloodless, dead tissue. And then they will be amputated.

You’ve seen that in the infinite reaches of the universe, heat is as glorious and ephemeral as the light of the stars. Heat exists only where matter exists, where particles can vibrate and jump. In the infinite winter of space, heat is tiny; it is the cold that is huge.

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The watchclock knows where your night watchman is

Detex Watchclock Station
Creative Commons License photo credit: 917press

From Christopher Fahey’s “Who Watches the Watchman?” (GraphPaper: 2 May 2009):

The Detex Newman watchclock was first introduced in 1927 and is still in wide use today.

&hellip What could you possibly do in 1900 to be absolutely sure a night watchman was making his full patrol?

An elegant solution, designed and patented in 1901 by the German engineer A.A. Newman, is called the “watchclock”. It’s an ingenious mechanical device, slung over the shoulder like a canteen and powered by a simple wind-up spring mechanism. It precisely tracks and records a night watchman’s position in both space and time for the duration of every evening. It also generates a detailed, permanent, and verifiable record of each night’s patrol.

What’s so interesting to me about the watchclock is that it’s an early example of interaction design used to explicitly control user behavior. The “user” of the watchclock device is obliged to behave in a strictly delimited fashion.

The key, literally, to the watchclock system is that the watchman is required to “clock in” at a series of perhaps a dozen or more checkpoints throughout the premises. Positioned at each checkpoint is a unique, coded key nestled in a little steel box and secured by a small chain. Each keybox is permanently and discreetly installed in strategically-placed nooks and crannies throughout the building, for example in a broom closet or behind a stairway.

The watchman makes his patrol. He visits every checkpoint and clicks each unique key into the watchclock. Within the device, the clockwork marks the exact time and key-location code to a paper disk or strip. If the watchman visits all checkpoints in order, they will have completed their required patrol route.

The watchman’s supervisor can subsequently unlock the device itself (the watchman himself cannot open the watchclock) and review the paper records to confirm if the watchman was or was not doing their job.

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Van Gogh on death

From Roger Ebert’s “Go gentle into that good night” (Roger Ebert’s Journal: 2 May 2009):

Van Gogh in Arles wrote this about death:

Looking at the stars always makes me dream, as simply as I dream over the black dots representing towns and villages on a map. Why? I ask myself, shouldn’t the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take a train to get to Tarascon or Rouen, we take death to reach a star. We cannot get to a star while we are alive any more than we can take the train when we are dead. So to me it seems possible that cholera, tuberculosis and cancer are the celestial means of locomotion. Just as steamboats, buses and railways are the terrestrial means. To die quietly of old age, would be to go there on foot.

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Roger Ebert on death

From Roger Ebert’s “Go gentle into that good night” (Roger Ebert’s Journal: 2 May 2009):

What I expect will most probably happen [when I die] is that my body will fail, my mind will cease to function, and that will be that. My genes will not live on, because I have had no children. Perhaps I have been infertile. If I discover that somewhere along the way I conceived a child, let that child step forward and he or she will behold a happy man. Through my wife, I have had stepchildren and grandchildren, and I love them unconditionally, which is the only kind of love worth bothering with.

I am comforted by Richard Dawkins’ theory of memes. Those are mental units: thoughts, ideas, gestures, notions, songs, beliefs, rhymes, ideals, teachings, sayings, phrases, clichés, that move from mind to mind as genes move from body to body. After a lifetime of writing, teaching, broadcasting and happily torturing people with my jokes, I will leave behind more memes than many. They will all eventually die as well, but so it goes.

I drank for many years in a tavern that had a photograph of Brendan Behan on the wall, and under it this quotation, which I memorized:

I respect kindness in human beings first of all, and kindness to animals. I don’t respect the law; I have a total irreverence for anything connected with society except that which makes the roads safer, the beer stronger, the food cheaper and the old men and old women warmer in the winter and happier in the summer.

For 57 words, that does a pretty good job of summing it up. “Kindness” covers all of my political beliefs. No need to spell them out. Kindness is why I vote liberal and not conservative–but let’s not go there, not today. I believe that if, at the end of it all, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn’t always know this, and am happy I lived long enough to find it out.

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Immortality, poetically

From Roger Ebert’s “Go gentle into that good night” (Roger Ebert’s Journal: 2 May 2009):

And there is Shakespeare, who came as close as any man to immortality. In my plans for life after death, I say, again with Whitman:

I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.

And with Will, the brother in Saul Bellow’s Herzog, I say: Look for me in the weather reports.

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From Philip Larkin’s “Aubade”

From Philip Larkin’s “Aubade“:

I work all day, and get half drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.

The mind blanks at the glare. Not in remorse
– The good not used, the love not given, time
Torn off unused – nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never:
But at the total emptiness forever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says no rational being
Can fear a thing it cannot feel, not seeing
that this is what we fear – no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.

And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision
Most things may never happen: this one will,
And realisation of it rages out
In furnace fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no-one off the grave.
Death is no different whined at than withstood.

From Philip Larkin’s “Aubade” Read More »

An elderly Eskimo & his unusual knife

From Wade Davis’ “Wade Davis: an Inuit elder and his shit knife” (Boing Boing: 26 September 2008):

The Inuit didn’t fear the cold; they took advantage of it. During the 1950s the Canadian government forced the Inuit into settlements. A family from Arctic Bay told me this fantastic story of their grandfather who refused to go. The family, fearful for his life, took away all of his tools and all of his implements, thinking that would force him into the settlement. But instead, he just slipped out of an igloo on a cold Arctic night, pulled down his caribou and sealskin trousers, and defecated into his hand. As the feces began to freeze, he shaped it into the form of an implement. And when the blade started to take shape, he put a spray of saliva along the leading edge to sharpen it. That’s when what they call the “shit knife” took form. He used it to butcher a dog. Skinned the dog with it. Improvised a sled with the dog’s rib cage, and then, using the skin, he harnessed up an adjacent living dog. He put the shit knife in his belt and disapp eared into the night.

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Weegee at work

From Holland Cotter’s “‘Unknown Weegee,’ on Photographer Who Made the Night Noir” (The New York Times: 9 June 2006):

A freelancer by temperament, he had long-term gigs with The Daily News, The Daily Mirror and the left-leaning daily PM. His beat was the inner city, and everything was raw material: the good and the bad, but mostly the bad. He liked nights because he had the photographic turf to himself but also because the best bad things happen at night, under the cover of darkness. Vandals make their mark; hit men practice their trade; people get crazy.

Like a boy scout, he was always prepared. He prowled the streets in a car equipped with a police radio, a typewriter, developing equipment, a supply of cigars and a change of underwear. He was a one-man photo factory: he drove to a crime site; took pictures; developed the film, using the trunk as a darkroom; and delivered the prints.

He often finished a job before the cops had cleared the scene, in some cases before they even arrived. About certain things he was clairvoyant. (Weegee = Ouija, as in board. Get it?) He caught catastrophes in the making and filmed them unfolding. An opportunist? A sensationalist? A voyeur? You could call him all that. He wouldn’t mind. “Just get the name right. Weegee the Famous.”

He was in the right place at the right time. New York from the Depression through World War II was a rude, crude town. No heat in winter, way too much in the summer. Immigrants poured in; there was barely enough room to hold them. Native-born workers felt the competition for jobs and space, resented it. The melting pot was on a constant boil.

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Walke describes the Battle of Island Number 10

From “Operations of the Western Flotilla” by Henry A. Walke, Commander of the Carondelet, describing the Battle of Island Number Ten:

Having received written orders from the flag-officer, under date of March 30th, I at once began to prepare the Carondelet for the ordeal. All the loose material at hand was collected, and on the 4th of April the decks were covered with it, to protect them against plunging shot. Hawsers and chain cables were placed around the pilot-house and other vulnerable parts of the vessel, and every precaution was adopted to prevent disaster. A coal-barge laden with hay and coal was lashed to the part of the port side on which there was no iron plating, to protect the magazine. And it was truly said that the old Carondelet at that time resembled a farmer’s wagon prepared for market. The engineers led the escape-steam, through the pipes aft, into the wheel-house, to avoid the puffing sound it made when blown through the smoke-stacks.

All the necessary preparations having been made, I informed the flag-officer of my intention to run the gauntlet that night, and received his approval. Colonel Buford, who commanded the land forces temporarily with the flotilla, assisted me in preparing for the trip, and on the night of the 4th brought on board Captain Hollenstein, of the Forty-second Illinois, and twenty-three sharp-shooters of his command, who volunteered their services, which were gratefully accepted. Colonel Buford remained on board until the last moment to encourage us. I informed the officers and crew of the character of the undertaking, and all expressed a readiness to make the venture. In order to resist boarding parties in case we should be disabled, the sailors were well armed, and pistols, cutlasses, muskets, boarding-pikes, and hand-grenades were within reach. Hose was attached to the boilers for throwing scalding water over any who might attempt to board. If it should be found impossible to save the vessel, it was designed to sink rather than burn her, as the loss of life would probably be greater in the latter case by the explosion of her magazine. During the afternoon there was promise of a clear, moonlight night, and it was determined to wait until the moon was down, and then to make the attempt, whatever the chances. …

At ten o’clock the moon had gone down, and the sky, the earth, and the river were alike hidden in the black shadow of a thunder-storm, which had now spread itself over all the heavens. As the time seemed favorable, I ordered the first master to cast off. Dark clouds now rose rapidly over us, and enveloped us in almost total darkness, except when the sky was lighted up by the welcome flashes of vivid lightning, to show us the perilous way we were to take. Now and then the dim outline of the landscape could be seen, and the forest bending under the roaring storm that came rushing up the river.

With our bow pointing to the island, we passed the lowest point of land without being observed, it appears, by the enemy. All speed was given to the vessel to drive her through the tempest. The flashes of lightning continued with frightful brilliancy, and “almost every second” wrote a correspondent, “every brace, post, and outline could be seen with startling distinctness, enshrouded by a bluish white, glare of light, and then her form for the next minute would become merged in the intense darkness.” When opposite Battery No. 2, on the mainland, the smoke-stacks blazed up, but the fire was soon subdued. It was caused by the soot becoming dry, as the escape-steam, which usually kept the stacks wet, had been sent into the wheel-house, as already mentioned, to prevent noise. With such vivid lightning as prevailed during the whole passage, there was no prospect of escaping the vigilance of the enemy, but there was good reason to hope that he would be unable to point his guns accurately. Again the smoke-stacks took fire, and were soon put out; and then the roar of the enemy’s guns began, and from Batteries Nos. 2, 3, and 4 came almost incessantly the sharp crack and screaming sound of their rifle-shells, which seemed to unite with the electric batteries of the clouds to annihilate us.

While nearing the island or some shoal point, during a few minutes of total darkness, we were startled by the loud, sharp order, “Hard a-port!” from our brave and skillful pilot, First Master Hoel. We almost grazed the island, and it appears were not observed through the storm until we were close in, and the enemy, having no time to point his guns, fired at random. In fact, we ran so near that the enemy did not, probably could not depress his guns sufficiently. While close under the lee of the island and during a lull in the storm and in the firing, one of our pilots heard a Confederate officer shout, “Elevate your guns!” “Yes, confound you,” said the pilot, in a much lower key, “elevate.” It is probable that the muzzles of those guns had been depressed to keep the rain out of them, and the officers, not expecting another night attack in such a storm, and arriving late, ordered the guns elevated just in time to save us from the direct fire of the enemy’s heaviest fort; and this, no doubt, was the cause of our remarkable escape. Nearly all the enemy’s shot went over us.

Having passed the principal batteries, we were greatly relieved from suspense, patiently endured, however, by the officers and crew. But there was another formidable obstacle in the way — a floating battery, which was the great “war elephant” of the Confederates, built to blockade the Mississippi permanently. As we passed her she fired six or eight shots at us, but without effect. One ball struck the coal-barge and one was found in a bale of hay; we found also one or two musket-bullets. We arrived at New Madrid about midnight with no one hurt, and were most joyfully received by our army. At the suggestion of Paymaster Nixon, all hands “spliced the main brace.”

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Movies in the night

Another image that enters my mind unbidden:

My brother and I are spending the night at Grandma & Grandpa Scott’s house. We’re pretty young … I might be 8 and my brother 6 or 7. It’s the mid-70s. At our grandparents, we go to bed pretty early … say by 10 p.m. This night, Gus and I know that the original King Kong is on TV, and we are determined to see it. We stay awake talking in bed (we’re in the guest bed together), and then we quietly sneak into the family room and turn on the TV, ever so quietly, and watch a 40-year-old (only 40 years!?) black & white movie, listening carefully for the footsteps of our grandparents. I don’t think we were caught.

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Secret movies in the Paris underground

From Jon Henley’s “In a secret Paris cavern, the real underground cinema” (The Guardian: 8 September 2004):

Police in Paris have discovered a fully equipped cinema-cum-restaurant in a large and previously uncharted cavern underneath the capital’s chic 16th arrondissement. Officers admit they are at a loss to know who built or used one of Paris’s most intriguing recent discoveries. "We have no idea whatsoever," a police spokesman said. …

Members of the force’s sports squad, responsible – among other tasks – for policing the 170 miles of tunnels, caves, galleries and catacombs that underlie large parts of Paris, stumbled on the complex while on a training exercise beneath the Palais de Chaillot, across the Seine from the Eiffel Tower.

After entering the network through a drain next to the Trocadero, the officers came across a tarpaulin marked: Building site, No access.

Behind that, a tunnel held a desk and a closed-circuit TV camera set to automatically record images of anyone passing. The mechanism also triggered a tape of dogs barking, "clearly designed to frighten people off," the spokesman said.

Further along, the tunnel opened into a vast 400 sq metre cave some 18m underground, "like an underground amphitheatre, with terraces cut into the rock and chairs".

There the police found a full-sized cinema screen, projection equipment, and tapes of a wide variety of films, including 1950s film noir classics and more recent thrillers. None of the films were banned or even offensive, the spokesman said.

A smaller cave next door had been turned into an informal restaurant and bar. "There were bottles of whisky and other spirits behind a bar, tables and chairs, a pressure-cooker for making couscous," the spokesman said.

"The whole thing ran off a professionally installed electricity system and there were at least three phone lines down there."

Three days later, when the police returned accompanied by experts from the French electricity board to see where the power was coming from, the phone and electricity lines had been cut and a note was lying in the middle of the floor: "Do not," it said, "try to find us." …

There exist, however, several secretive bands of so-called cataphiles, who gain access to the tunnels mainly after dark, through drains and ventilation shafts, and hold what in the popular imagination have become drunken orgies but are, by all accounts, innocent underground picnics.

… the Perforating Mexicans, last night told French radio the subterranean cinema was its work.

Film noir in the Parisian catacombs. Secret bars and telephones. Scuttling down drains for secret assignations. "Do not try to find us." I’m swooning just thinking about it!

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