cool stuff

Perfect Score Achieved on Pac-Man

From Twin Galaxies

For the first time in video game playing history, a perfect score was achieved on the legendary arcade game, Pac-Man.

On July 3, 1999 at 4:45 P.M., taking nearly six hours to accomplish the feat — on one quarter — Billy Mitchell, 33, a Fort Lauderdale hot sauce manufacturer visiting the famous Funspot Family Fun Center in Weirs Beach, NH, scored 3,333,360 points — the maximum possible points allowed by the game. The results will go into next year’s edition of the Twin Galaxies’ Official Video Game & Pinball Book of World Records — which is the official record book for the world of video game and pinball playing. …

To get a perfect game on Pac-Man, the player has to eat every dot, every energizer, every blue man and every fruit up to and including board 256 — where the game ends with a split screen. This must be accomplished on the first man, too.

When I was a freshman in high school in Marshall, I played Pac-Man constantly. I actually won a contest for Saline County Pac-Man champ, and my prize was an Atari 2600. My all-time high score was 1,187,000, played in the Wal-Mart lobby over the course of two hours.

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A museum I definitely want to visit

From Best Undiscovered Museum of Americana:

It’s hard to imagine how anything so big could be such a well-kept secret, but there are only two kinds of people in the world: those who haven’t heard of the Shelburne Museum , and those who rave about it. I’m one of the latter.

Situated on 45 acres outside Burlington, Vermont, the Shelburne has been called the “Smithsonian of New England.” It was founded by Electra Havemeyer Webb, heiress to sugar and railroad fortunes. An avid collector of Americana, Webb built the Shelburne and left an active foundation in place to keep it running and growing. It now encompasses 37 exhibits and buildings, some of them nearly incomprehensible in scope. They built a railroad, for instance, to bring the steamship Ticonderoga to the site. A curved building a quarter of a mile long covers a Lilliputian circus parade, each figure, animal, and cart hand-carved — by one person. The figures are only inches tall, and no two are alike.

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Amongst family and friends

From "The Producer" in the 15 October 2001 issue of The New Yorker, an article about the Hollywood producer Brian Grazer:

His creation achieved its brilliant apotheosis a few years ago, when he reconceived Brian Grazer as a form of performance art. He started putting photographs of himself, grinning like a pixie, in dime-store frames and taking them to parties. Unobserved, he would leave his little photo among the grandly framed portraits of the host’s family and famous friends, for the host to discover, to his startled amusement, usually several weeks later. 

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Secret movies in the Paris underground

From Jon Henley’s “In a secret Paris cavern, the real underground cinema” (The Guardian: 8 September 2004):

Police in Paris have discovered a fully equipped cinema-cum-restaurant in a large and previously uncharted cavern underneath the capital’s chic 16th arrondissement. Officers admit they are at a loss to know who built or used one of Paris’s most intriguing recent discoveries. "We have no idea whatsoever," a police spokesman said. …

Members of the force’s sports squad, responsible – among other tasks – for policing the 170 miles of tunnels, caves, galleries and catacombs that underlie large parts of Paris, stumbled on the complex while on a training exercise beneath the Palais de Chaillot, across the Seine from the Eiffel Tower.

After entering the network through a drain next to the Trocadero, the officers came across a tarpaulin marked: Building site, No access.

Behind that, a tunnel held a desk and a closed-circuit TV camera set to automatically record images of anyone passing. The mechanism also triggered a tape of dogs barking, "clearly designed to frighten people off," the spokesman said.

Further along, the tunnel opened into a vast 400 sq metre cave some 18m underground, "like an underground amphitheatre, with terraces cut into the rock and chairs".

There the police found a full-sized cinema screen, projection equipment, and tapes of a wide variety of films, including 1950s film noir classics and more recent thrillers. None of the films were banned or even offensive, the spokesman said.

A smaller cave next door had been turned into an informal restaurant and bar. "There were bottles of whisky and other spirits behind a bar, tables and chairs, a pressure-cooker for making couscous," the spokesman said.

"The whole thing ran off a professionally installed electricity system and there were at least three phone lines down there."

Three days later, when the police returned accompanied by experts from the French electricity board to see where the power was coming from, the phone and electricity lines had been cut and a note was lying in the middle of the floor: "Do not," it said, "try to find us." …

There exist, however, several secretive bands of so-called cataphiles, who gain access to the tunnels mainly after dark, through drains and ventilation shafts, and hold what in the popular imagination have become drunken orgies but are, by all accounts, innocent underground picnics.

… the Perforating Mexicans, last night told French radio the subterranean cinema was its work.

Film noir in the Parisian catacombs. Secret bars and telephones. Scuttling down drains for secret assignations. "Do not try to find us." I’m swooning just thinking about it!

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