art

David Foster Wallace on the familiar & the strange

art, history, language & literature, on writing / /

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):

If you mean a post-industrial, mediated world, it’s inverted one of fiction’s big historical functions, that of providing data on distant cultures and persons. The first real generalization of human experience that novels tried to accomplish. If you lived in Bumfuck, Iowa, a hundred years ago and had no idea what life was like in India, good old Kipling goes over and presents it to you. … Well, but fiction’s presenting function for today’s reader has been reversed: since the whole global village is now presented as familiar, electronically immediate—satellites, microwaves, intrepid PBS anthropologists, Paul Simon’s Zulu back-ups—it’s almost like we need fiction writers to restore strange things’ ineluctable “strangeness,” to defamiliarize stuff, I guess you’d say.

… For our generation, the entire world seems to present itself as “familiar,” but since that’s of course an illusion in terms of anything really important about people, maybe any “realistic” fiction’s job is opposite what it used to be—no longer making the strange familiar but making the familiar strange again. It seems important to find ways of reminding ourselves that most “familiarity” is meditated and delusive.

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David Foster Wallace on TV, loneliness, & death

art, language & literature / /

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):

One thing TV does is help us deny that we’re lonely. With televised images, we can have the facsimile of a relationship without the work of a real relationship. It’s an anesthesia of “form.” The interesting thing is why we’re so desperate for this anesthetic against loneliness. You don’t have to think very hard to realize that our dread of both relationships and loneliness, both of which are like sub-dreads of our dread of being trapped inside a self (a psychic self, not just a physical self), has to do with angst about death, the recognition that I’m going to die, and die very much alone, and the rest of the world is going to go merrily on without me.

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David Foster Wallace on fiction’s purpose in dark times

art, language & literature, on writing / /

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):

Look man, we’d probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

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Now THAT is fantabulous!

art, language & literature / /

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Creative Commons License photo credit: newneonunion

From Roy Kesey’s piece in “Remembering David Foster Wallace” (Edward Champion’s Reluctant Habits: 15 September 2008):

The first story of David’s I ever read was that one Brief Interview that he had in the Paris Review maybe ten or eleven years ago. For me it was paradigm-altering, quietly fantabulous, in exactly the way that having a clay pot broken over your head would be fantabulous if instead of dirt it turned out to be full of cocaine and Slim Jims.

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Van Gogh on death

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From Roger Ebert’s “Go gentle into that good night” (Roger Ebert’s Journal: 2 May 2009):

Van Gogh in Arles wrote this about death:

Looking at the stars always makes me dream, as simply as I dream over the black dots representing towns and villages on a map. Why? I ask myself, shouldn’t the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take a train to get to Tarascon or Rouen, we take death to reach a star. We cannot get to a star while we are alive any more than we can take the train when we are dead. So to me it seems possible that cholera, tuberculosis and cancer are the celestial means of locomotion. Just as steamboats, buses and railways are the terrestrial means. To die quietly of old age, would be to go there on foot.

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Roger Ebert on death

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From Roger Ebert’s “Go gentle into that good night” (Roger Ebert’s Journal: 2 May 2009):

What I expect will most probably happen [when I die] is that my body will fail, my mind will cease to function, and that will be that. My genes will not live on, because I have had no children. Perhaps I have been infertile. If I discover that somewhere along the way I conceived a child, let that child step forward and he or she will behold a happy man. Through my wife, I have had stepchildren and grandchildren, and I love them unconditionally, which is the only kind of love worth bothering with.

I am comforted by Richard Dawkins’ theory of memes. Those are mental units: thoughts, ideas, gestures, notions, songs, beliefs, rhymes, ideals, teachings, sayings, phrases, clichés, that move from mind to mind as genes move from body to body. After a lifetime of writing, teaching, broadcasting and happily torturing people with my jokes, I will leave behind more memes than many. They will all eventually die as well, but so it goes.

I drank for many years in a tavern that had a photograph of Brendan Behan on the wall, and under it this quotation, which I memorized:

I respect kindness in human beings first of all, and kindness to animals. I don’t respect the law; I have a total irreverence for anything connected with society except that which makes the roads safer, the beer stronger, the food cheaper and the old men and old women warmer in the winter and happier in the summer.

For 57 words, that does a pretty good job of summing it up. “Kindness” covers all of my political beliefs. No need to spell them out. Kindness is why I vote liberal and not conservative–but let’s not go there, not today. I believe that if, at the end of it all, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn’t always know this, and am happy I lived long enough to find it out.

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Immortality, poetically

art, history, language & literature / /

From Roger Ebert’s “Go gentle into that good night” (Roger Ebert’s Journal: 2 May 2009):

And there is Shakespeare, who came as close as any man to immortality. In my plans for life after death, I say, again with Whitman:

I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.

And with Will, the brother in Saul Bellow’s Herzog, I say: Look for me in the weather reports.

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David Foster Wallace on moving mountains

art, language & literature, on writing / /

From Bill Katovsky’s “David Foster Wallace: A Profile” (McSweeney’s Internet Tendency: November 2008):

“I spent a lot of time as a volunteer in a nursing home in Amherst last summer. I was reading Dante’s Divine Comedy to an old man, Mr. Shulman. One day, I asked him where he was from. He said, ‘Just east of here, the Rockies.’ I said, ‘Mr. Shulman, the Rockies are west of here.’ He did a voilà with his hands and then said, ‘I move mountains.’ That stuck with me. Fiction either moves mountains or it’s boring; it moves mountains or it sits on its ass.”

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Mistakes to avoid in writing

art, language & literature, on writing / /

From Pat Holt’s “The Ten Mistakes: Ten Mistakes Writers Don’t See (But Can Easily Fix When They Do)” (Holt Uncensored: 17 November 2008):

EMPTY ADVERBS

Actually, totally, absolutely, completely, continually, constantly, continuously, literally, really, unfortunately, ironically, incredibly, hopefully, finally – these and others are words that promise emphasis, but too often they do the reverse. They suck the meaning out of every sentence.

…

NO-GOOD SUFFIXES

…

The “ness” words cause the eye to stumble, come back, reread: Mindlessness, characterlessness, courageousness, statuesqueness, preciousness – you get the idea. You might as well pour marbles into your readers’ mouths. Not all “ness” words are bad – goodness, no – but they are all suspect.

The “ize” words are no better – finalize, conceptualize, fantasize, categorize. … Not all “ize” words are bad, either, but they do have the ring of the vulgate to them – “he was brutalized by his father,” “she finalized her report.” Just try to use them rarely.

Adding “ly” to “ing” words has a little history to it. Remember the old Tom Swifties? “I hate that incision,” the surgeon said cuttingly. “I got first prize!” the boy said winningly. But the point to a good Tom Swiftie is to make a punchline out of the last adverb.

…

THE “TO BE” WORDS

Once your eye is attuned to the frequent use of the “to be” words – “am,” “is,” “are,” “was,” “were,” “be,” “being,” “been” and others – you’ll be appalled at how quickly they flatten prose and slow your pace to a crawl.

…

Try also to reserve the use of “there was” or “there is” for special occasions. If used too often, this crutch also bogs down sentence after sentence. “He couldn’t believe there was furniture in the room. There was an open dresser drawer. There was a sock on the bed. There was a stack of laundry in the corner. There was a handkerchief on the floor….”

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David Foster Wallace on David Lynch

art, language & literature, weird / /

From David Foster Wallace’s “David Lynch Keeps His Head” (Premier: September 1996):

AN ACADEMIC DEFINITION of Lynchian might be that the term “refers to a particular kind of irony where the very macabre and the very mundane combine in such a way as to reveal the former’s perpetual containment within the latter.” But like postmodern or pornographic, Lynchian is one of those Porter Stewart-type words that’s ultimately definable only ostensively – i.e., we know it when we see it. Ted Bundy wasn’t particularly Lynchian, but good old Jeffrey Dahmer, with his victims’ various anatomies neatly separated and stored in his fridge alongside his chocolate milk and Shedd Spread, was thoroughgoingly Lynchian. A recent homicide in Boston, in which the deacon of a South Shore church reportedly gave chase to a vehicle that bad cut him off, forced the car off the road, and shot the driver with a highpowered crossbow, was borderline Lynchian. A Rotary luncheon where everybody’s got a comb-over and a polyester sport coat and is eating bland Rotarian chicken and exchanging Republican platitudes with heartfelt sincerity and yet all are either amputees or neurologically damaged or both would be more Lynchian than not.

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Why David Foster Wallace used footnotes

5 Comments / art, language & literature, on writing / /

From D. T. Max’s “Notes and Errata*: A DFW Companion Guide to ‘The Unfinished’” (The Rumpus: 31 March 2009):

He explained that endnotes “allow . . . me to make the primary-text an easier read while at once 1) allowing a discursive, authorial intrusive style w/o Finneganizing the story, 2) mimic the information-flood and data-triage I expect’d be an even bigger part of US life 15 years hence. 3) have a lot more technical/medical verisimilitude 4) allow/make the reader go literally physically ‘back and forth’ in a way that perhaps cutely mimics some of the story’s thematic concerns . . . 5) feel emotionally like I’m satisfying your request for compression of text without sacrificing enormous amounts of stuff.”

He was known for endlessly fracturing narratives and for stem-winding sentences adorned with footnotes that were themselves stem-winders. Such techniques originally had been his way of reclaiming language from banality, while at the same time representing all the caveats, micro-thoughts, meta-moments, and other flickers of his hyperactive mind.

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Why we can easily remember jingles but not jokes

art, language & literature, science / /

From Natalie Angier’s “In One Ear and Out the Other” (The New York Times: 16 March 2009):

In understanding human memory and its tics, Scott A. Small, a neurologist and memory researcher at Columbia, suggests the familiar analogy with computer memory.

We have our version of a buffer, he said, a short-term working memory of limited scope and fast turnover rate. We have our equivalent of a save button: the hippocampus, deep in the forebrain is essential for translating short-term memories into a more permanent form.

Our frontal lobes perform the find function, retrieving saved files to embellish as needed. And though scientists used to believe that short- and long-term memories were stored in different parts of the brain, they have discovered that what really distinguishes the lasting from the transient is how strongly the memory is engraved in the brain, and the thickness and complexity of the connections linking large populations of brain cells. The deeper the memory, the more readily and robustly an ensemble of like-minded neurons will fire.

This process, of memory formation by neuronal entrainment, helps explain why some of life’s offerings weasel in easily and then refuse to be spiked. Music, for example. “The brain has a strong propensity to organize information and perception in patterns, and music plays into that inclination,” said Michael Thaut, a professor of music and neuroscience at Colorado State University. “From an acoustical perspective, music is an overstructured language, which the brain invented and which the brain loves to hear.”

A simple melody with a simple rhythm and repetition can be a tremendous mnemonic device. “It would be a virtually impossible task for young children to memorize a sequence of 26 separate letters if you just gave it to them as a string of information,” Dr. Thaut said. But when the alphabet is set to the tune of the ABC song with its four melodic phrases, preschoolers can learn it with ease.

And what are the most insidious jingles or sitcom themes but cunning variations on twinkle twinkle ABC?

Really great jokes, on the other hand, punch the lights out of do re mi. They work not by conforming to pattern recognition routines but by subverting them. “Jokes work because they deal with the unexpected, starting in one direction and then veering off into another,” said Robert Provine, a professor of psychology at the University of Maryland, Baltimore County, and the author of “Laughter: A Scientific Investigation.” “What makes a joke successful are the same properties that can make it difficult to remember.”

This may also explain why the jokes we tend to remember are often the most clichéd ones. A mother-in-law joke? Yes…

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A history of the negative associations of yellow

art, history, religion / /

From Allen Abel And Madeleine Czigler’s “Submarines, bananas and taxis” (National Post: 24 June 2008):

Depicted in frescoes and canvases from the early Middle Ages onward in the robes of the betrayer of the Christ, “Judas yellow” devolved into an imprint of depravity, treason and exclusion.

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By the 12th century, European Jews were compelled to wear yellow hats, prostitutes were bound by yellow sashes and yellow flags flew above the pus-stained hovels of the Black Death. From this would descend our own yellow of cowardice and insanity, and the yellow badges of the star-crossed Jüden of the Third Reich.

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What happens to IP when it’s easy to copy anything?

art, business, history, law, politics, tech in changing society, technology / /

From Bruce Sterling’s “2009 Will Be a Year of Panic” (Seed: 29 January 2009):

Let’s consider seven other massive reservoirs of potential popular dread. Any one of these could erupt, shattering the fragile social compact we maintain with one another in order to believe things contrary to fact.

…

2. Intellectual property. More specifically, the fiat declaration that properties that are easy to reproduce shouldn’t be reproduced.

Declaring that “information wants to be free” is an ideological stance. A real-world situation where information can’t be anything but free, where digital information cannot be monetized, is bizarre and deeply scary. No banker or economist anywhere has the ghost of clue what to do under such conditions.

Intellectual property made sense and used to work rather well when conditions of production favored it. Now they don’t. If it’s simple to copy just one single movie, some gray area of fair use can be tolerated. If it becomes easy to copy a million movies with one single button-push, this vast economic superstructure is reduced to rags. Our belief in this kind of “property” becomes absurd.

To imagine that real estate is worthless is strange, though we’ve somehow managed to do that. But our society is also built on the supposed monetary worth of unreal estate. In fact, the planet’s most advanced economies are optimized to create pretty much nothing else. The ultimate global consequences of this situation’s abject failure would rank with the collapse of Communism.

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A one-way ticket to crazyville

art, history, language & literature, politics, religion, science / /
Tanguma's The Children of the World Dream of P...
Image by rsgranne via Flickr
Tanguma's The Children of the World Dream of P...
Image by rsgranne via Flickr
Tanguma's The Children of the World Dream of P...
Image by rsgranne via Flickr

From Dave Alan’s “Interview with Alex Christopher” (Leading Edge Research Group: 1 June 1996):

Legend: DA [Dave Alan, Host] AC: [Alex Christopher] C: [Caller]

…

(Note: according to former British Intelligence agent Dr. John Coleman, the London-based Wicca Mason lodges are one-third of the overall global conspiracy. The other two thirds are the Black Nobility banking families who claim direct descent from the early Roman emperors, and also the Maltese Jesuits or the Jesuit – Knights of Malta network. All three networks each have 13 representatives within the Bilderberg organization, which is a cover for the Bavarian Illuminati, suggestive that Bavaria itself has orchestrated a “marriage of convenience” between these three formerly competitive global control groups. – Branton)

…

AC: All right. The information, primarily, that is in “Pandora’s Box” covers how the major corporations, railroad and banking concerns in this country were set up through a ‘trust’ that was originally known as the Virginia Company… The deal was that everything would remain under English control, or subservient to it, and that brings us right up to today, because we are still looking at everything falling under that ‘trust’ system going back to the Crown of England. It is mind boggling to think that everyone in this country has been led to believe that the people in the United States had won independence from England, when in fact they never did.

…

AC: The capstone, or the dedication stone, for the Denver airport has a Masonic symbol on it. A whole group of us went out to the airport to see some friends off and see this capstone, which also has a time capsule imbedded inside it. It sits at the south eastern side of the terminal which, by the way, is called “The Great Hall”, which is what Masons refer to as their meeting hall. And, on this thing it mentions “the New World Airport Commission”. …

AC: It has a Masonic symbol on it, and it also has very unusual geometric designs. It depicts an arm rising up out of it that curves at a 45 degree angle. It also has a thing that looks like a keypad on it. This capstone structure is made of carved granite and stainless steel, and it is very fancy.. This little keypad area at the end of the arm has an out-of-place unfinished wooden block sitting on it. The gentleman that was with me on the first trip out to the airport has since died. They say he committed suicide, but everything else tells me that this is not possible. No one can double-tie a catheter behind his own neck and strangle himself. I just don’t think that is possible. But, his name was Phil Schneider, and he started blowing the whistle on all this stuff going on in the underground bases that he had helped build for years and years. He worked on the underground bases at Area 51 and Dulce, New Mexico, as well as several other places. Schneider told me that this keypad-looking area looked like a form of techno-geometry that is “alien-oriented”, and that it had something to do with a “directional system”, whatever that meant, that functioned as a homing beacon to bring ships right into the “Great Hall”.

…

(Note: … Remember even through the Bilderbergers consist of a “marriage of convenience” between Londonese Wicca Masons, Basilian Black Nobility and Roman Maltese Jesuits… the supreme controllers of the Bildeberger cult itself are the secret black Gnostic cults of Bavaria whose ‘Cult of the Serpent’ — or Illuminati — can be traced back to Egypt and ultimately to Babylon itself. These Rockefeller-Nazi projects reportedly continued through at least 1975 during which period many thousands more “underground Nazis” were brought into America from Europe and also, if we are to believe some reports, from the secret German “New Berlin” base under the mountains of Neu Schwabenland, Antarctica that was established during World War II via Nazi-occupied South Africa. Is Neu Schwabenland the REAL power behind the joint Bavarian-Alien New World Order Agenda? …)

…

AC: … It took myself and two other people over eight months to figure out all the symbology that is embodied in these murals. It turned out that some of these are ‘trigger’ pictures, containing symbology designed to trigger altered personalities of people that have been groomed in MKULTRA type programs for specific tasks that they have been trained to do in terms of something connected with Satanic rituals and mind control. I had one woman that called me out of the blue one night, and she was really disturbed about some information. She told me many different things that later turned out to be known MKULTRA triggers. Also, almost every aspect of these murals contains symbols relating back to secret societies. When you get the overall view of what they are talking about in these things, it is very very scary. It goes back to the Bio-diversity Treaty, getting rid of specific races of people, taking over the world and mind control.

…

AC: Well, the gentleman that I was dealing with, Phil Schneider, said that during the last year of construction they were connecting the underground airport system to the deep underground base. He told me that there was at least an eight-level deep underground base there, and that there was a 4.5 square mile underground city and an 88.5 square-mile base underneath the airport.

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DA: You were telling me that there are huge concrete corridors with sprinklers all along the ceiling. What are these sprinkler heads doing in a concrete bunker, pray tell? (Presumably concrete will not ‘burn’ if there is a potential fire, so is it possible that something other than ‘water’ is meant to be expelled from these sprinklers which are located “all along” the ceiling? – Branton)

…

AC: I think a lot of the people saw things that disturbed them so much that they would not talk about it. I know several people who worked on the project that managed to find their way down into the depths, probably close to the deep underground base, and saw things that scared them so badly they won’t talk about it. I interviewed a few of the former employees on these construction crews that worked out there on these buildings that ended up buried, and they are afraid to talk. They say that everybody is real nervous about it, and they decided to tell some of the secrets that they knew, but they don’t want anybody to know who they are. So, I can tell you that it is a very unusual and spooky type of place, and if you are a sensitive person you get nauseated as soon as you enter the perimeter of the airport. Especially when you go down underground. You become very nauseated a nervous. There is also so much electromagnetic flux in the area that if you get out on the open ground around the airport, you will ‘buzz’.

…

AC: If Phil is right, and all this hooks up to the deep underground base that he was offered the plans to build back in 1979, and that what this other man TOLD me in private [is] that there is a lot of human SLAVE LABOR in these deep underground bases being used by these aliens, and that a lot of this slave labor is children. HE SAID that when the children reach the point that they are unable to work any more, they are slaughtered on the spot and consumed.

DA: Consumed by who?

AC: Aliens. Again, this is not from me, but from a man that gave his life to get this information out. He worked down there for close to 20 years, and he knew everything that was going on.

DA: Hmmm. Who do these aliens eat?

AC: They specifically like young human children, that haven’t been contaminated like adults. Well, there is a gentleman out giving a lot of information from a source he gets it from, and he says that there is an incredible number of children snatched in this country.

DA: Over 200,000 each year.

AC: And that these children are the main entree for dinner.

…

AC: Yes. From some information that has been put out by a group or team that also works in these underground bases that is trying to get information out to people that love this country, THERE IS A WAR THAT IS GOING ON UNDER OUT FEET, AND ABOVE OUR HEADS, that the public doesn’t know anything about, and its between these ALIEN forces and the HUMANS that are trying to fight them.

DA: What other types have you seen?

AC: The ones that I have seen are the big-eyed Greys and the Reptilians.

DA: What do these Reptilians look like?

AC: There are three different types.

…

AC: … Anyway, they were both totally flipped out. I finally got them calmed down enough to let me go home. I went home and went to bed. The next thing I know, I woke up and there is this ‘thing’ standing over my bed. He had wrap-around yellow eyes with snake pupils, and pointed ears and a grin that wrapped around his head. He had a silvery suit on, and this scared the living daylights out of me. I threw the covers over my head and started screaming….I mean, here is this thing with a Cheshire-cat grin and these funky glowing eyes…this is too much. I have seen that kind of being on more than one occasion.

DA: What else can you say about it?

AC: Well, he had a hooked nose and he was [humanoid] looking, other than the eyes, and had kind of grayish skin. Later on in 1991, I was working in a building in a large city, and I had taken a break about 6:00, and the next thing I knew it was 10:30 at night, and I thought I had taken a short break. I started remembering that I was taken aboard a ship, through four floors of an office building, and through a roof. There on the ship is were I encountered ‘GERMANS’ AND ‘AMERICANS’ WORKING TOGETHER, and also the GREY ALIENS, and then we were taken to some other kind of facility and there I saw the REPTILIANS again … the one’s I call the “baby Godzilla’s”, that have the short teeth and yellow slanted eyes, and who look like a VELOCI-RAPTOR, kind of.

DA: So, why would these people pick on you?

AC: Well, I found one common denominator in the abduction, and it keeps on being repeated over and over again. I deal with lots of people who have been abducted, and the one common denominator seems to be the blood line, and its the blood line that goes back to ancient Indian or Native American blood lines.

…

AC: Well, at that facility I saw the almond-eyed Greys, but the thing that sticks in my mind are the beings that look like reptiles, or the veloci-raptors. They are the cruelest beings you could ever imagine, and they even smell hideous. There were a couple of very unusual areas down there where I was taken which looked like cold storage lockers, where these things were in hibernation tubes, and that is about all I remember, other than seeing some black helicopters and little round-wing disk type aircraft

…

In the book “Cosmic Conflict”, the author talks about the ancient city that was uncovered by the Germans before World War II, and tells about their effort to revive some frozen humans they found in this underground city, and that the true humans couldn’t be revived, but the ones that could be revived were in fact reptilians in disguise, and the reptilians have the capability to do shape-shifting and create a [laser] holographic image so when you look at them you see a human, but under that there is no human there. … Allegedly the reptilians re-animated and killed the Soviet scientists and through some type of psychic osmosis drained their minds and assimilated their memories and features through a molecular shape-shifting type process. … The alien ‘impostors’ then called for backup and more scientists came out and were ‘replaced’, and these eventually returned to Russia and began to infiltrate the Communist government.

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AC: These people that have done all this research and are part of the underground government are telling that the humans on this planet have been at war with these reptilian aliens for thousands of years. At one point, things got so hot on the planet, like it is now, aliens took on this holographic image and infiltrated the human race in order to take it over and undermine it, just like this New World Order is doing right now. They’re saying that the same thing happened to civilization on Earth before, and that the humans before actually had the capability for interplanetary travel, and that it was so bad here with the reptilians that they had to leave… What they are also saying is that these beings that are human-looking that are visiting our planet, at this time, trying to inform people what is going on, and guide them, are actually OUR ANCESTORS THAT ESCAPED FROM EARTH before, when it was under reptilian domination.

…

AC: I went to South Florida a couple of weeks ago and interviewed a man who had done research for 30 years, and oddly enough, he tapped into some of the same information I had, in that our government has had round-winged, saucer-type technology, high mach speed aircraft since the 1920’s, and that in 1952 they had over 500 of these aircraft hidden in secret bases. Now, if they had that in 1952, considering that military technology grows by 44 years for every year that goes by, what do you imagine they have now, 44 years later, after technology has advanced the equivalent of 1,936 years?

…

AC: He claims to be one of the ones who jumped overboard off the Eldridge when it went into hyperspace during the Philadelphia Experiment. He actually traveled forward in time, and asked the people that he encountered there what happened in his future. At that time, he was given the information about the New World Order and that Denver was the location for the NWO Western Sector, and that Atlanta was supposed to be the control center for the Eastern Sector. Can it be that the fact that the Olympics is supposed to be in Atlanta is part of a scenario?

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Denver International Airport, home to alien reptilians enslaving children in deep dungeons

1 Comment / art, history, politics, religion, security, weird / /

From Jared Jacang Maher’s “DIA Conspiracies Take Off” (Denver Westword News: 30 August 2007):

Chris from Indianapolis has heard that the tunnels below DIA [Denver International Airport] were constructed as a kind of Noah’s Ark so that five million people could escape the coming earth change; shaken and earnest, he asks how someone might go about getting on the list.

…

Today, dozens of websites are devoted to the “Denver Airport Conspiracy,” and theorists have even nicknamed the place “Area 52.” Wikipedia presents DIA as a primary example of New World Order symbolism, above the entry about the eyeball/pyramid insignia on the one-dollar bill. And over the past two years, DIA has been the subject of books, articles, documentaries, radio interviews and countless YouTube and forum board postings, all attempting to unlock its mysteries. While the most extreme claim maintains that a massive underground facility exists below the airport where an alien race of reptilian humanoids feeds on missing children while awaiting the date of government-sponsored rapture, all of the assorted theories share a common thread: The key to decoding the truth about DIA and the sinister forces that control our reality is contained within the two Tanguma murals, “In Peace and Harmony With Nature” and “The Children of the World Dream of Peace.”

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And not all these theorists are Unabomber-like crackpots uploading their hallucinations from basement lairs. Former BBC media personality David Icke, for example, has written twenty books in his quest to prove that the world is controlled by an elite group of reptilian aliens known as the Babylonian Brotherhood, whose ranks include George W. Bush, Queen Elizabeth II, the Jews and Kris Kristofferson. In various writings, lectures and interviews, he has long argued that DIA is one of many home bases for the otherworldly creatures, a fact revealed in the lizard/alien-faced military figure shown in Tanguma’s murals.

“Denver is scheduled to be the Western headquarters of the US New World Order during martial law take over,” Icke wrote in his 1999 book, The Biggest Secret. “Other contacts who have been underground at the Denver Airport claim that there are large numbers of human slaves, many of them children, working there under the control of the reptilians.”

On the other end of the conspiracy spectrum is anti-vaccination activist Dr. Len Horowitz, who believes that global viruses such as AIDS, Ebola, West Nile, tuberculosis and SARS are actually population-control plots engineered by the government. The former dentist from Florida does not speak about 2012 or reptiles — in fact, he sees Icke’s Jewish alien lizards as a Masonic plot to divert observers from the true earthly enemies: remnants of the Third Reich. He even used the mural’s sword-wielding military figure as the front cover of his 2001 book, Death in the Air.

“The Nazi alien symbolizes the Nazi-fascist links between contemporary population controllers and the military-medical-petrochemical-pharmaceutical cartel largely accountable for Hitler’s rise to power,” Horowitz explained in a 2003 interview with BookWire.

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Although conspiracy theories vary widely, they all share three commonalities. “One is the belief that nothing happens by accident,” [Syracuse University professor Michael Barkun, author of the 2006 book A Culture of Conspiracy] points out. “Another is that everything is connected. And a third is that nothing is as it seems.” [Emphasis added]

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[Alex] Christopher is a 65-year-old grandmother living in Alabama.

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Christopher, on the other hand, was open to hearing anything. A man called her and said he had found an elevator at DIA that led to a corridor that led all the way down into a military base that also contained alien-operated concentration camps. She detailed this theory in her next book, Pandora’s Box II…

And the scale of DIA reflected this desire: It was to be the largest, most modern airport in the world. But almost as soon as ground was broken in 1989, problems cropped up. The massive public-works project was encumbered by design changes, difficult airline negotiations, allegations of cronyism in the contracting process, rumors of mismanagement and real troubles with the $700 million (and eventually abandoned) automated baggage system. Peña’s successor, Wellington Webb, was forced to push back the 1993 opening date three times. By the time DIA finally opened in February 1995, the original $1.5 billion cost had grown to $5.2 billion. Three months after that opening, the Congressional Subcommittee on Aviation held a special hearing on DIA in which one member said the Denver airport represented the “worst in government inefficiency, political behind-the-scenes deal-making, and financial mismanagement.” …

And what looked like a gamble in 1995 seems to have paid off for Denver. Today, DIA is considered one of the world’s most efficient, spacious and technologically advanced airports. It is the fifth-busiest in the nation and tenth-busiest in the world, serving some 50 million passengers in 2006.

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CopyBot copies all sorts of items in Second Life

art, business, history, security, tech in changing society / /

From Glyn Moody’s “The duplicitous inhabitants of Second Life” (The Guardian: 23 November 2006):

What would happen to business and society if you could easily make a copy of anything – not just MP3s and DVDs, but clothes, chairs and even houses? That may not be a problem most of us will have to confront for a while yet, but the 1.5m residents of the virtual world Second Life are already grappling with this issue.

A new program called CopyBot allows Second Life users to duplicate repeatedly certain elements of any object in the vicinity – and sometimes all of it. That’s awkward in a world where such virtual goods can be sold for real money. When CopyBot first appeared, some retailers in Second Life shut up shop, convinced that their virtual goods were about to be endlessly copied and rendered worthless. Others protested, and suggested that in the absence of scarcity, Second Life’s economy would collapse.

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Instead of sending a flow of pictures of the virtual world to the user as a series of pixels – something that would be impractical to calculate – the information would be transmitted as a list of basic shapes that were re-created on the user’s PC. For example, a virtual house might be a cuboid with rectangles representing windows and doors, cylinders for the chimney stacks etc.

This meant the local world could be sent in great detail very compactly, but also that the software on the user’s machine had all the information for making a copy of any nearby object. It’s like the web: in order to display a page, the browser receives not an image of the page, but all the underlying HTML code to generate that page, which also means that the HTML of any web page can be copied perfectly. Thus CopyBot – written by a group called libsecondlife as part of an open-source project to create Second Life applications – or something like it was bound to appear one day.

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Liberating the economy has led to a boom in creativity, just as Rosedale hoped. It is in constant expansion as people buy virtual land, and every day more than $500,000 (£263,000) is spent buying virtual objects. But the downside is that unwanted copying is potentially a threat to the substantial businesses selling virtual goods that have been built up, and a concern for the real-life companies such as IBM, Adidas and Nissan which are beginning to enter Second Life.

Just as it is probably not feasible to stop “grey goo” – the Second Life equivalent of spam, which takes the form of self- replicating objects malicious “griefers” use to gum up the main servers – so it is probably technically impossible to stop copying. Fortunately, not all aspects of an object can be duplicated. To create complex items – such as a virtual car that can be driven – you use a special programming language to code their realistic behaviour. CopyBot cannot duplicate these programs because they are never passed to the user, but run on the Linden Lab’s computers.

As for the elements that you can copy, such as shape and texture, Rosedale explains: “What we’re going to do is add a lot of attribution. You’ll be able to easily see when an object or texture was first created,” – and hence if something is a later copy.

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