October 2010

James Ellroy on how he writes

From Nathaniel Rich’s “Interviews: James Ellroy, The Art of Fiction No. 201” (The Paris Review: Fall 2009):

I begin by sitting in the dark. I used to sleep on the living-room couch. There was a while when that was the only place I felt safe. My couch is long because I’m tall, and it needs to be high backed, so I can curl into it. I lie there and things come to me, very slowly.

[After that] I take notes: ideas, historical perspective, characters, point of view. Very quickly, much of the narrative coheres. When I have sufficient information—the key action, the love stories, the intrigue, the conclusion—I write out a synopsis in shorthand as fast as I can, for comprehension’s sake. With the new novel, Blood’s a Rover, this took me six days. It’s then, after I’ve got the prospectus, that I write the outline.

The first part of the outline is a descriptive summary of each character. Next I describe the design of the book in some detail. I state my intent at the outset. Then I go through the entire novel, outlining every chapter. The outline of Blood’s A Rover is nearly four hundred pages long. It took me eight months to write. I write in the present tense, even if the novel isn’t written in the present tense. It reads like stage directions in a screenplay. Everything I need to know is right there in front of me. It allows me to keep the whole story in my mind. I use this method for every book.

I think of the outline as a diagram, a superstructure. When you see dialogue in one of my outlines, it’s because inserting the dialogue is the most complete, expeditious way to describe a given scene.

I set a goal of outlined pages that I want to get through each day. It’s the ratio of text pages to outline pages that’s important. That proportion determines everything. Today I went through five pages of the outline. That equals about eight pages of the novel. The outline for Blood’s a Rover, which is three hundred and ninety-seven pages, is exponentially more detailed than the three-hundred-and-forty-five-page outline for The Cold Six Thousand. So the ratio of book pages to outline pages varies, depending on the density of the outline.

I need to work just as rigorously on the outline as I do on the actual writing of the text, in order to keep track of the plot and the chronology. But once I’m writing text, I can be flexible, because the outline is there. Take today: I woke up early, at five-thirty. I worked for a couple of hours, took a break for some oatmeal, shut my eyes for a moment, and went back at it. I was overcaffeinated, jittery-assed, panic-attacky. Sometimes I go until I just can’t go anymore. I flatline and need some peace.

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Dan Ariely on irrational decision making

From Dan Ariely’s “Dan Ariely asks, Are we in control of our own decisions?” (TED: 24 June 2009):

I’ll give you a couple of more examples on irrational decision making. Imagine I give you a choice. Do you want to go for a weekend to Rome? All expenses paid, hotel, transportation, food, breakfast, a continental breakfast, everything. Or a weekend in Paris? Now, a weekend in Paris, a weekend in Rome, these are different things. They have different food, different culture, different art. Now imagine I added a choice to the set that nobody wanted. Imagine I said, “A weekend in Rome, a weekend in Paris, or having your car stolen?” It’s a funny idea. Because why would having your car stolen, in this set, influence anything? But what if the option to have your car stolen was not exactly like this. What if it was a trip to Rome, all expenses paid, transportation, breakfast. But doesn’t include coffee in the morning. If you want coffee you have to pay for it yourself. It’s two euros 50. Now in some ways, given that you can have Rome with coffee, why would you possibly want Rome without coffee? It’s like having your car stolen. It’s an inferior option. But guess what happened. The moment you add Rome without coffee, Rome with coffee becomes more popular. And people choose it. The fact that you have Rome without coffee makes Rome with coffee look superior. And not just to Rome without coffee, even superior to Paris.

Here are two examples of this principle. This was an ad from The Economist a few years ago that gave us three choices. An online subscription for 59 dollars. A print subscription for 125. Or you could get both for 125. Now I looked at this and I called up The Economist. And I tried to figure out what were they thinking. And they passed me from one person to another to another. Until eventually I got to a person who was in charge of the website. And I called them up. And they went to check what was going on. The next thing I know, the ad is gone. And no explanation.

So I decided to do the experiment that I would have loved The Economist to do with me. I took this and I gave it to 100 MIT students. I said, “What would you choose?” These are the market share. Most people wanted the combo deal. Thankfully nobody wanted the dominated option. That means our students can read. But now if you have an option that nobody wants you can take it off. Right? So I printed another version of this. Where I eliminated the middle option. I gave it to another 100 students. Here is what happens. Now the most popular option became the least popular. And the least popular became the most popular.

What was happening was the option that was useless, in the middle, was useless in the sense that nobody wanted it. But it wasn’t useless in the sense that it helped people figure out what they wanted. In fact, relative to the option in the middle, which was get only the print for 125, the print and web for 125 looked like a fantastic deal. And as a consequence, people chose it. The general idea here, by the way, is that we actually don’t know our preferences that well. And because we don’t know our preferences that well we’re susceptible to all of these influences from the external forces. The defaults, the particular options that are presented to us. And so on.

One more example of this. People believe that when we deal with physical attraction, we see somebody, and we know immediately whether we like them or not. Attracted or not. Which is why we have these four-minute dates. So I decided to do this experiment with people. I’ll show you graphic images of people — not real people. The experiment was with people. I showed some people a picture of Tom, and a picture of Jerry. I said “Who do you want to date? Tom or Jerry?” But for half the people I added an ugly version of Jerry. I took Photoshop and I made Jerry slightly less attractive. (Laughter) The other people, I added an ugly version of Tom. And the question was, will ugly Jerry and ugly Tom help their respective, more attractive brothers? The answer was absolutely yes. When ugly Jerry was around, Jerry was popular. When ugly Tom was around, Tom was popular.

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My response to the news that “Reader, Acrobat Patches Plug 23 Security Holes”

I sent this email out earlier today to friends & students:

For the love of Pete, people, if you use Adobe Acrobat Reader, update it.

http://krebsonsecurity.com/2010/10/reader-acrobat-patches-plug-23-security-holes/

But here’s a better question: why are you using Adobe Reader in the first place? It’s one of the WORST programs for security you can have on your computer. And most of the time, you just don’t need it!

If you use Windows, give Foxit Reader (http://www.foxitsoftware.com/pdf/reader/) a whirl. It’s free!

If you use a Mac, you already have a great PDF reader installed with your operating system: Preview. Use it.

The ONLY reason to use Adobe Reader is to fill out tax forms. When I need to do that, I download Adobe Reader, download the PDFs from the gubmint, fill out the PDFs, send ’em to the Feds & the State, & then remove Adobe Reader. I encourage others to do the same.

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