From Oliver Sacks’ “The Case of Anna H.” (The New Yorker: 7 October 2002: 64):
I was reminded of a blind woman, a contemporary of Mozart and a most remarkable pianist, who, it is said, could no longer play after she regained some sight.
From Oliver Sacks’ “The Case of Anna H.” (The New Yorker: 7 October 2002: 64):
I was reminded of a blind woman, a contemporary of Mozart and a most remarkable pianist, who, it is said, could no longer play after she regained some sight.