Ramblings & ephemera

David Foster Wallace on serious vs. commercial art

From David Wiley’s interview of David Foster Wallace, “Transcript of the David Foster Wallace Interview” (The Minnesota Daily: 27 February 1997):
But Plato and John Stuart Mill both take books to talk about different types of pleasure. In my own personal life, I like really arty stuff a lot of the time. But there’s also times [...]

Malcolm Gladwell on training to be a journalist

From Alex Altman’s “Q&A: Author Malcolm Gladwell” (TIME: 20 October 2009):
If you had a single piece of advice to offer young journalists, what would it be?
The issue is not writing. It’s what you write about. One of my favorite columnists is Jonathan Weil, who writes for Bloomberg. He broke the Enron story, and he [...]

How to tell if someone is a good writer

Image by Esther_G via Flickr

From Josh Olson’s “I Will Not Read Your Fucking Script” (The Village Voice: 9 September 2009):
It rarely takes more than a page to recognize that you’re in the presence of someone who can write, but it only takes a sentence to know you’re dealing with someone who can’t.

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Why Picasso charged [...]

Why Picasso charged a million dollars

Image via Wikipedia

From Josh Olson’s “I Will Not Read Your Fucking Script” (The Village Voice: 9 September 2009):
There’s a great story about Pablo Picasso. Some guy told Picasso he’d pay him to draw a picture on a napkin. Picasso whipped out a pen and banged out a sketch, handed it to the guy, and said, [...]

Who would ever think that it was a good idea?

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Read this article about Paul Krassner’s experiences with the Manson Family & note the emphasis I’ve added – is this not the greatest sentence out of nowhere you’ve ever seen? How in the world did that ever seem like a good idea?
From Paul Krassner’s “My Acid Trip with Squeaky Fromme” (The Huffington Post: [...]

David Foster Wallace on postmodernism & waiting for the parents to come home

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):
For me, the last few years of the postmodern era have seemed a bit like the way you feel when you’re in high school and your parents go on a trip, and you throw a party. You get [...]

David Foster Wallace on the importance of writing within formal constraints

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):
You’re probably right about appreciating limits. The sixties’ movement in poetry to radical free verse, in fiction to radically experimental recursive forms—their legacy to my generation of would-be artists is at least an incentive to ask very seriously [...]

David Foster Wallace on the problems with postmodern irony

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):
Irony and cynicism were just what the U.S. hypocrisy of the fifties and sixties called for. That’s what made the early postmodernists great artists. The great thing about irony is that it splits things apart, gets up above [...]

Outline for an Unpublished Linux Textbook

Back in 2004 or so, I was asked to write an outline for a college textbook that would be used in courses on Linux. I happily complied, producing the outline you can see on my website. The editor on the project loved the outline & showed it several professors to get their reactions, which were [...]

7 tools of propaganda

From Roger Ebert’s “The O’Reilly Procedure” (Roger Ebert’s Journal: 14 June 2009):
The seven propaganda devices include:

Name calling — giving something a bad label to make the audience reject it without examining the evidence;
Glittering generalities — the opposite of name calling;
Card stacking — the selective use of facts and half-truths;
Bandwagon — appeals to the desire, common [...]

The Uncanny Valley, art forgery, & love

photo credit: hans s
From Errol Morris’ “Bamboozling Ourselves (Part 2)” (The New York Times: 28 May 2009):
[Errol Morris:] The Uncanny Valley is a concept developed by the Japanese robot scientist Masahiro Mori. It concerns the design of humanoid robots. Mori’s theory is relatively simple. We tend to reject robots that look too much like [...]

David Foster Wallace on rock, the rise of mass media, & the generation gap

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):
Rock music itself bores me, usually. The phenomenon of rock interests me, though, because its birth was part of the rise of popular media, which completely changed the ways the U.S. was unified and split. The mass media [...]

David Foster Wallace on minimalism & metafiction

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):
Minimalism’s just the other side of metafictional recursion. The basic problem’s still the one of the mediating narrative consciousness. Both minimalism and metafiction try to resolve the problem in radical ways. Opposed, but both so extreme they end [...]

David Foster Wallace on the familiar & the strange

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):
If you mean a post-industrial, mediated world, it’s inverted one of fiction’s big historical functions, that of providing data on distant cultures and persons. The first real generalization of human experience that novels tried to accomplish. If you [...]

David Foster Wallace on fiction’s purpose in dark times

From Larry McCaffery’s “Conversation with David Foster Wallace” (Dalkey Archive Press at the University of Illinois: Summer 1993):
Look man, we’d probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of [...]

David Foster Wallace on moving mountains

From Bill Katovsky’s “David Foster Wallace: A Profile” (McSweeney’s Internet Tendency: November 2008):
“I spent a lot of time as a volunteer in a nursing home in Amherst last summer. I was reading Dante’s Divine Comedy to an old man, Mr. Shulman. One day, I asked him where he was from. He said, ‘Just east of [...]

Mistakes to avoid in writing

From Pat Holt’s “The Ten Mistakes: Ten Mistakes Writers Don’t See (But Can Easily Fix When They Do)” (Holt Uncensored: 17 November 2008):
EMPTY ADVERBS

Actually, totally, absolutely, completely, continually, constantly, continuously, literally, really, unfortunately, ironically, incredibly, hopefully, finally – these and others are words that promise emphasis, but too often they do the reverse. They suck [...]

Protected: Why we cuss

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Why David Foster Wallace used footnotes

From D. T. Max’s “Notes and Errata*: A DFW Companion Guide to ‘The Unfinished’” (The Rumpus: 31 March 2009):
He explained that endnotes “allow . . . me to make the primary-text an easier read while at once 1) allowing a discursive, authorial intrusive style w/o Finneganizing the story, 2) mimic the information-flood and data-triage I [...]

Luddites and e-books

From Clay Shirky’s “The Siren Song of Luddism” (Britannica Blog: 19 June 2007):
…any technology that fixes a problem … threatens the people who profit from the previous inefficiency. However, Gorman omits mentioning the Luddite response: an attempt to halt the spread of mechanical looms which, though beneficial to the general populace, threatened the livelihoods of [...]